Jim Dunlop Dimebag Darrell Signature Cry Baby From Hell Wah Pedal in Black Camo

£225.00

This is a New Jim Dunlop Dimebag Darrell Signature Cry Baby From Hell Wah Pedal in Black Camo from Jim Dunlop, listed in Wah & Filter Pedals on Just Pedals. Read More below.

View Just
more

Here's what Jim Dunlop says about the Dimebag Darrell Signature Cry Baby From Hell:

The Dimebag Cry Baby Wah is the most versatile way we’ve ever made, and it just got a brand new paint job. Hot-rodded for the incomparable Dimebag Darrell with an extended sweep range and fine tune control, a 6-way range selector, a Q control, and a kick-in volume boost with back-mounted LED indicators, this pedal gives you everything you need to do some serious wah damage. And with its new black camo finish, the Dimebag Cry Baby Wah will have you wearing your black-toothed grin in no time.

Key Features

  • Extended sweep range so you can dig deep and fly high
  • Choose from 6 different frequency ranges
  • Adjustable switchable boost puts your wah sound right at the front of the mix
  • Dial wah response from wide to narrow
  • Back-mounted LEDs indicate wah & boost on/off status
  • Skateboard skid-tape tread lets you keep rocking even if beer spills on your pedal

Related videos

Brand

Jim Dunlop

In the current JustPedals catalogue, Jim Dunlop is represented by Wah & Filter Pedals, Fuzz Pedals and Volume Pedals. Current listings include MXR GT Overdrive, DVP4 Volume X Mini and Slash Wah. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Wah & Filter Pedals

Wah effects sweep a resonant band-pass or related filter through the frequency spectrum, creating the vowel-like movement associated with the treadle. Envelope filters move automatically in response to picking level, while fixed and sequenced filters use other control sources. Sweep range, resonance, direction, sensitivity and input loading determine whether the response is vocal, percussive, smooth or sharply synthetic.