The Hartwood Baltimore Boost Pedal is designed for players who want more volume presence and control without colouring their core tone. Whether you are pushing your amp into breakup lifting your solos above the mix or adding a bit of sparkle to a clean rhythm this pedal gives you flexible amp-friendly boost with intuitive tone shaping. A single Boost control sets the gain level while Low and High EQ knobs let you tweak the tonal character to suit your rig. It is ideal for players who want extra punch without complication. The true bypass circuitry and rugged build make the Baltimore Boost a reliable and tone-safe addition to any pedalboard whether at home in the studio or on stage.
Hartwood Baltimore Boost Pedal
£29.99
This is a New Hartwood Baltimore Boost Pedal from Hartwood its found in our Boost Pedals on the Just Pedals menu. Read More below.
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Brand
Hartwood
In the current JustPedals catalogue, Hartwood is represented by Pedalboards, Chorus Pedals and Distortion Pedals. Current listings include Pedalboard Large, Pedalboard Small and Mini Tuner. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.
Category
Boost Pedals
A boost raises signal level without deliberately creating a new effect waveform. Clean boosts emphasise level and headroom, while coloured boosts reshape bass, midrange or treble and may add mild clipping at higher settings. Placed before a gain stage, the extra level changes how that stage distorts; placed later, it can provide a volume lift if sufficient headroom remains.
Tags
Bass
Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.
True Bypass
Connects input directly to output through mechanical or relay switching when the effect is off, removing the active circuit from the audio path. It avoids buffer colour but leaves cable capacitance and switching design to influence high-frequency loss and possible switching noise.
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