The Fender Waylon Jennings Phaser is a pedal that takes you on a sonic journey into the outlaw country sound. Waylon Jennings a legend in the genre is known for his unique phase-shifting effect and this pedal allows you to recreate that signature sound. Based on Fenders original four-stage phaser circuit from the 1970s this pedal offers three different options. You can switch between two four or six stages giving you a wide range of tones to choose from. For those who want to get straight to the heart of the harmonics the sweet switch is available. This instantly takes you to the “sweet spot” where the clean signal and shifting tones blend perfectly. Its the ideal setting for adding just the right amount of flavour to your guitar playing especially when playing classic cowboy chords. With its versatile controls and authentic phasing capabilities this pedal is a must-have for any guitarist who wants to achieve that distinctive outlaw country sound.
Fender Waylon Jennings Phaser
This is a New Fender Waylon Jennings Phaser from Fender its found in our Phaser Pedals on the Just Pedals menu. Read More below.
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Brand
Fender
Fender’s effects line draws on the company’s Southern California instrument-and-amplifier history. The all-original pedal range Fender introduced in the late 2010s was designed in Southern California with input from gigging and studio musicians. JustPedals listings include The Bends compressor, Marine Layer reverb, Pugilist distortion, Tre-Verb and Smolder Acoustic Overdrive. That range connects familiar Fender amplifier sounds with dedicated stompboxes, while also covering bass and acoustic applications. The brand name does not indicate where every model was manufactured; compare each pedal’s controls, routing and model-specific specifications.
Category
Phaser Pedals
A phaser splits the signal and shifts the phase of one path through a series of all-pass filter stages. When recombined, moving peaks and notches sweep across the spectrum, creating a rounded swirl rather than the evenly spaced comb filtering of a flanger. Stage count, feedback, centre frequency, rate and depth shape the width, resonance and pulse of the sweep.
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