Empress Effects Bass Compressor Pedal in Blue

£269.00

This is a New Empress Effects Bass Compressor Pedal in Blue from Empress Effects, listed in Compressor Pedals on Just Pedals. Read More below.

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When Empress Effects released their original Compressor pedal back in 2011, it quickly became a favourite among guitar and bass players alike. Providing more than what most typical comp stompboxes could offer, many of which are hindered by oversimplified controls, Empress has now designed a dedicated Compressor for bass with studio-like features. The original worked great, but this goes one better!

On top of the full range of controls normally only seen in high-end recording equipment, including input and gain reduction metering, independent attack and release controls, a mix knob for parallel compression, and an external sidechain insert – Empress has now added a fully variable sidechain high-pass filter and a two-position ‘tone + colour’ circuit which adds gentle tone-sculpting and harmonic distortion, giving your bass some delicious character.

Features

  • All Analog Signal Path – No digitals in here!
  • Extremely Transparent – Add dynamic control without altering the original tone of your instrument.
  • 3 Compression Ratios – 2:1, 4:1 and 10:1 ratios offer lots of flexibility.
  • Attack and Release Control – Allows for ultimate control over the compression characteristics.
  • Mix – Blend uncompressed signal in with the compressed signal for parallel compression, New York Style!
  • Metering – Meter both gain reduction and input on separate meters.
  • Tone + Color – Adds mild harmonic distortion with a mid range cut or an upper mid range boost. 
  • Sidechain Send/Return – 3.5mm TRS jack send and return for sidechain compresson.  
  • Sidechain High Pass Filter – A variable high pass filter that filters low frequencies from the sidechain. The filter frequency ranges from 20Hz to 400Hz.
  • Improved Low End Frequency Response – To handle those low low sounds, completely flat down to 20Hz.
  • True Display LEDs – Bright multi-color LEDs always let you know what the compressor is doing.
  • True Bypass – The Empress Compressor employs true bypass, so you can be sure that it's not affecting the signal when disengaged.
  • Small Size – New enclosure approximately half the size of the original compressor, which is delightfully small when considering all the features packed into this unit.
  • Beautiful Case – It has a sparkle you can't deny, available in blue or silver!

Specifications

  • Input Impedance: 1M
  • Output Impedance: 2.2k
  • Frequency Response (-3dB): 10Hz – 20kHz
  • Distortion: Less Than 0.1%
  • Noise: -101dB
  • Power Input Voltage: 9-18V DC (Negative Tip)
  • Power Input Connector: 2.1mm Barrel Connector (Negative Tip)
  • Power Consumption: ~ 100mA
  • Enclosure Material: Die Cast Aluminium
  • Input Connector: 1/4" Jack
  • Output Connector: 1/4" Jack
  • Height (Enclosure Only): 1.5"
  • Height (Including Controls): 2.5"
  • Length: 4.8"
  • Width: 2.6"
  • Weight: 1lbs

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Brand

Empress Effects

In the current JustPedals catalogue, Empress Effects is represented by EQ Pedals, Overdrive Pedals and Reverb Pedals. Current listings include Empress Reverb, Empress Buffer and Reverb. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Compressor Pedals

Compressor pedals reduce dynamic range by turning louder peaks down and raising or sustaining the average level. Attack and release determine whether the pick transient remains sharp or is softened; ratio, threshold, blend and output gain decide whether the result is discreet control or an obvious effect. Compression can even out clean picking, add sustain before an overdrive, tighten bass or provide a steady vocal signal, but it can also raise noise and reduce touch contrast. Check the controls and gain structure before placing one in a busy chain.

Tags

Analogue

Analogue products use continuous audio circuitry for some or all of the signal path, so clipping, filtering or modulation arises from physical components rather than sampled algorithms. The label does not guarantee a particular tone; component choice, headroom, bias, noise and the surrounding gain stages still matter. Check whether the switching, presets, control section or cabinet stage is digital when the exact signal path is important.

Bass

Bass products are designed or voiced to retain low-frequency information and usable headroom with bass guitar or other low-register sources. Controls may centre on clean blend, low-end EQ, compression, crossover points or drive character. A guitar pedal can sometimes work well on bass, but it may remove the fundamental or compress the transient. Check the frequency response, input impedance, output level and dry-signal path with the intended tuning and amplifier.