Electronic Audio Experiments Limelight V2 Overdrive & Boost Pedal - Image 1
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Electronic Audio Experiments Limelight V2 Overdrive & Boost Pedal - Image 1Electronic Audio Experiments Limelight V2 Overdrive & Boost Pedal - Image 2Electronic Audio Experiments Limelight V2 Overdrive & Boost Pedal - Image 3Electronic Audio Experiments Limelight V2 Overdrive & Boost Pedal - Image 4

Electronic Audio Experiments Limelight V2 Overdrive & Boost Pedal

£259.00

Next up on the JustPedals smorgasbord, is tasty Overdrive Pedals from Electronic, delivered to any location in the UK. Their Chef has a lot to offer here with the Electronic Audio Experiments Limelight V2 Overdrive & Boost Pedal. It is in stock, it is NEW, its delivered in a nice box and it is delivered fresh to any location in the UK at a great price.. Just Read more Overdrive Pedals details below.

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Description

The JustPedals team think the Electronic Audio Experiments Limelight V2 Overdrive & Boost Pedal is a tasty New Overdrive Pedals option for your smorgasbord (pedalboard). Just Read More for images videos and latest prices from the Electronic brand and delivered by a UK retailer, with warranty & more.

Electronic Audio Experiments' Limelight V2 is a versatile dual-channel overdrive pedal, developed in collaboration with LA-based punk band Touche Amore. The band's guitarists Nick Steinhardt and Clayton Stevens are known for their distinctively bright and clear tones — forming the foundation of TA’s impassioned brand of post-hardcore. Their riffs morph effortlessly between serene clean passages and cacophonous blast beats, and this pedal is designed to cover that wide contrast of tones and everything in between!

In preparation for the recording of Touche Amore's LP 'Lament', Electronic Audio Experiments worked with Nick and Clayton to create a new op amp overdrive with equal parts aggression and chime. While loosely based in the "breaker" lineage, EAE made significant changes to the circuit for superior articulation and a much wider range of gain.

An independent front-end boost rounds out the package, perfect for adding power to clean tones or pushing the overdrive side into heavy distortion. While the primary goal was to help the band sound like their best selves, Limelight has a tone for everyone!

Controls

  • Boost: Adjusts the Boost channel from 0dB to +21dB of clean gain when turned clockwise.
  • Drive: Simultaneous control of two gain stages, with a natural mid-range boost as you turn it clockwise. Achieves approximately 50dB at the maximum setting.
  • Tone: Adjustable the low-pass filter. Clockwise for more treble, and counter-clockwise for less.
  • Volume: Output level control. Turn clockwise for more volume.
  • Focus: Variable low cut in the drive section. Adjusts the amount of chime and mid-range presence.
  • Left Footswitch: Engages drive circuit.
  • Right Footswitch: Engages boost circuit.

Specifications

  • Independent boost and drive circuits with relay-based true bypass switching which defaults to bypass in the event of power loss.
  • Input Impedance @ 1Khz: 500kΩ (Boost/Drive)
  • Output Impedance @ 1Khz: 1kΩ (Boost), <5kΩ (Drive)
  • Power: 9VDC, 2.1mm Centre Negative
  • Current Draw: 80mA

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Related videos

Brand

Electronic

Category

Boost Pedals

Boost pedals increase your signal level, helping solos stand out, pushing an amplifier harder or adding extra presence to your tone. Some boosts are clean and transparent, while others add colour, midrange, grit or brightness depending on the circuit design.

A boost pedal can be used before overdrive to add saturation, after drive pedals for a volume lift, or at the start of the chain to strengthen the guitar signal. It is one of the simplest but most useful pedals for live players and tone-shapers alike.

Overdrive Pedals

Overdrive pedals add warmth, grit and amplifier-like breakup to your guitar tone. They can be used as a light always-on tone enhancer, a bluesy crunch box, a mid-focused solo boost or a way to push a valve amp into richer saturation.

Different overdrive circuits have very different personalities, from transparent low-gain pedals to classic mid-hump designs and heavier modern drives. They are one of the most important pedal types because they respond to picking dynamics, guitar volume and the character of your amplifier.

Tags

Boost

Boost pedals and related effects are commonly used by guitarists looking to shape their tone in a more focused and creative way. Different designs offer their own response, feel and tonal character depending on the style of music and the type of amplifier or guitar being used.

Many players build pedalboards gradually over time, combining different effects and utilities to create a setup that suits their own sound and workflow. Boost related gear can play an important role in both live performance and studio recording.

Overdrive

Overdrive pedals recreate the sound of an amplifier being pushed harder, adding warmth, breakup and sustain while still responding naturally to picking dynamics and guitar volume changes. They are one of the most important and widely used pedal types in modern guitar rigs.

Different overdrive circuits offer very different flavours, from transparent low-gain boost-style pedals through to mid-focused classic rock tones and heavier amp-like saturation.


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