Enhance your tone with the Electro Harmonix Q-Tron Plus Envelope Filter. Incredibly versatile this pedal will be a welcomed addition to the pedal board of any guitarist. Regardless of genre or musical style. Building on the success of its predecessor the Q-Tron Plus comes packed with lots of new exciting features that will add a new lease of life to both your productions and performances! The Q-Tron plus comes complete with an all new effects loop option. This allows you to insert an additional effect in-between the preamp and filter section for even more tonal variety. Without risking any changes to the envelope drive. Embrace the attack response switch for absolute precision. From here youll be able to pick between the classic ultra-fast response of the initial Q-Tron or a slower smoother response. Take your creativity to new heights with Electro Harmonix!
Electro Harmonix Q-Tron Plus Envelope Filter
This is a New Electro Harmonix Q-Tron Plus Envelope Filter from Electro Harmonix is in our Wah & Filter Pedals category on Just Pedals. Read More below.
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Brand
Electro Harmonix
Founded by Mike Matthews in New York City in 1968, Electro-Harmonix became known for inventive effects that brought new sounds within reach of guitarists. Its first product was the LPB-1 Linear Power Booster; the company’s long-running catalogue ranges from fuzz and overdrive to delay, modulation, octave and experimental processing. JustPedals listings include the Small Clone chorus, Small Stone phaser, Memory Boy delay, POG 2 octave generator and Micro Q-Tron envelope filter. Check the exact version and power requirements when comparing EHX models, since familiar names often span different generations and formats.
Category
Wah & Filter Pedals
Wah effects sweep a resonant band-pass or related filter through the frequency spectrum, creating the vowel-like movement associated with the treadle. Envelope filters move automatically in response to picking level, while fixed and sequenced filters use other control sources. Sweep range, resonance, direction, sensitivity and input loading determine whether the response is vocal, percussive, smooth or sharply synthetic.
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