Get your octafuzz mojo. The Electro Harmonix Octavix Octave Fuzz is capable of delivering a wide array of wild fuzz tones. Sporting a period-evocative psychedelic design and blue LED the pedals aesthetic is a good indicator the the vintage vibes this device radiates. The fuzz sounds themselves are no different – from smooth tight fuzz to rip-roaring untameable octave fuzzy madness. A standout feature is the intelligent inclusion of a selectable voltage toggle switch. This lets you switch between 9v and 24v operation; 9v gives you a greater amount of sag leading to more sludgy thick fuzz whereas upping to 24v gives a tighter more compressed and brighter fuzz texture. If youre searching for the perfect 60s fuzz sounds the Electro Harmonix Octavix Octave Fuzz has everything you need and more.
Electro Harmonix Octavix Octave Fuzz
This is a New Electro Harmonix Octavix Octave Fuzz from Electro Harmonix, listed in Octave Pedals on Just Pedals. Read More below.
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Brand
Electro Harmonix
In the current JustPedals catalogue, Electro Harmonix is represented by Fuzz Pedals, Overdrive Pedals and Octave Pedals. Current listings include Q-Tron+, Nano Clone and V256 Vocoder. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.
Category
Octave Pedals
An octave effect generates notes one or more octaves above or below the input. Analogue circuits often create raw monophonic sub-octaves, while digital pitch tracking can follow chords and provide several intervals with cleaner separation. Tracking speed, polyphonic accuracy, latency and the balance of dry, upper and lower voices determine whether the result feels tight, organ-like, synthetic or deliberately unstable.
Tags
Fuzz
Pushes the signal into extreme clipping, often approaching a square wave and producing dense harmonics. Transistor type, bias, input loading and filtering govern whether the texture is smooth, woolly, gated, spluttering, octave-rich or highly responsive to the instrument volume.
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