A sea of sonic potential. The Electro Harmonix Oceans 12 Dual Stereo Reverb presents players with a revolutionary addition to their pedalboard. Developed from the game-changing Oceans 11 pedal – this unit blows its competition out the water. Its packed with 12 different reverb effects and 24 presets gifting you with a myriad of ways to decorate your playing. And with two simultaneous stereo reverb engines at your disposal you can combine your favourite sounds and implement them into your live or studio rig.But its your sound after all So you need to have complete control. Which is why Electro Harmonix have loaded it with a vast array of intricate features to let you dial in your perfect tone. Whether you want long ambient trails to fill the mix or rather a subtle echo to fuel your solos – the Oceans 12 quite simply has it all. Theres even tap tempo to ensure your effects are dialled-in to perfection during performance. Because this is a pedal crafted for musicians of all abilities genres and playing styles. Ready to dive in?
Electro Harmonix Oceans 12 Dual Stereo Reverb
Electro Harmonix Oceans 12 Dual Stereo Reverb is a stereo reverb pedal.
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Brand
Electro Harmonix
In the current JustPedals catalogue, Electro Harmonix is represented by Fuzz Pedals, Overdrive Pedals and Octave Pedals. Current listings include Q-Tron+, Nano Clone and V256 Vocoder. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.
Category
Reverb Pedals
Reverb pedals create the impression of rooms, plates, springs, halls or other spaces by surrounding the dry sound with a field of reflections. Decay controls length; pre-delay separates the attack from the ambience; damping, tone, modulation, diffusion and mix set size, brightness and movement. Short settings can add depth without washing out a part, while long tails become a deliberate texture. Check trails, spillover, stereo routing, presets, tap or MIDI control and the pedal’s headroom after drives.
Tags
Presets
Preset-capable products can store and recall effect settings, signal paths or control assignments. The useful differences are the number of locations, whether footswitches or MIDI can recall them, what parameters are saved, how quickly they change and whether trails continue between settings. Check editing, backup, firmware, expression and USB requirements, and confirm that the preset system covers the parameters you need rather than assuming every control is recalled.
Stereo
Stereo products provide separate left and right audio paths, which may widen modulation, preserve independent delays or route a pedalboard into two amplifiers or a mixer. Input and output behaviour is not always symmetrical: some units sum a stereo input, while others create stereo from a mono source. Check whether the effect collapses safely to mono, how the dry signal is routed, the socket format and the destination’s panning and phase requirements.
Tap Tempo
Tap tempo lets a player set delay, modulation, tremolo or looper timing by tapping a footswitch. The implementation may be a dedicated switch, an external input, MIDI clock or a combination, and the supported timing divisions vary. Check whether the tempo is stored, whether tap is momentary or latching, how quickly the effect follows changes and which blocks respond. Tap tempo is useful only when the control connection and timing range match the workflow.
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