• Electro Harmonix Micro Q-Tron Envelope Filter
Electro Harmonix Micro Q-Tron Envelope Filter - Image 1

Electro Harmonix Micro Q-Tron Envelope Filter

£95.00

This is a New Electro Harmonix Micro Q-Tron Envelope Filter from Electro Harmonix its found in our Wah & Filter Pedals on the Just Pedals menu. Read More below.

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The Electro Harmonix Micro Q-Tron Envelope Filter will wrap your riffs up in wobbly wonders. As soon as you kick it on youll get that classic wah-like effect sending your licks into outer space. Three control dials ensure you have maximum control over the voicing consisting of Mode Q and Drive – craft your own envelope filter sound with ease. Increase or decrease attack wetness intensity and make this effect truly your own. Its insanely dynamic and will help you add flair to your music on the fly. This pedal also comes with a funky paint job which is sure to spruce up your pedalboard whilst a robust metal chassis ensures robustness and durability. Simple yet highly effective.

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Brand

Electro Harmonix

Founded by Mike Matthews in New York City in 1968, Electro-Harmonix became known for inventive effects that brought new sounds within reach of guitarists. Its first product was the LPB-1 Linear Power Booster; the company’s long-running catalogue ranges from fuzz and overdrive to delay, modulation, octave and experimental processing. JustPedals listings include the Small Clone chorus, Small Stone phaser, Memory Boy delay, POG 2 octave generator and Micro Q-Tron envelope filter. Check the exact version and power requirements when comparing EHX models, since familiar names often span different generations and formats.

Category

Wah & Filter Pedals

Wah effects sweep a resonant band-pass or related filter through the frequency spectrum, creating the vowel-like movement associated with the treadle. Envelope filters move automatically in response to picking level, while fixed and sequenced filters use other control sources. Sweep range, resonance, direction, sensitivity and input loading determine whether the response is vocal, percussive, smooth or sharply synthetic.

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