Electro Harmonix Micro POG Polyphonic Octave Generator

£199.00

This is a New Electro Harmonix Micro POG Polyphonic Octave Generator from Electro Harmonix is in our Octave Pedals category on Just Pedals. Read More below.

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Larger-than-life tones in a compact size. The Electro Harmonix Micro POG Polyphonic Octave Generator will make your guitar sound like never before. Youll be able to create the illusion of 12-strings the rich watery tones of an organ as well as the down-right weird and wonderful. The Micro Pog is incredibly versatile. It can also be used with bass guitars to provide even more low-end if youre not satisfied. Achieve the exact tone you like thanks to the dry knob. Youll be able to adjust it in accordance to the wants and needs of your performance. If you wish to take the sonics of your tone to the next level then look no further than the Electro Harmonix Micro POG Polyphonic Octave Generator.

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Brand

Electro Harmonix

Founded by Mike Matthews in New York City in 1968, Electro-Harmonix became known for inventive effects that brought new sounds within reach of guitarists. Its first product was the LPB-1 Linear Power Booster; the company’s long-running catalogue ranges from fuzz and overdrive to delay, modulation, octave and experimental processing. JustPedals listings include the Small Clone chorus, Small Stone phaser, Memory Boy delay, POG 2 octave generator and Micro Q-Tron envelope filter. Check the exact version and power requirements when comparing EHX models, since familiar names often span different generations and formats.

Category

Octave Pedals

An octave effect generates notes one or more octaves above or below the input. Analogue circuits often create raw monophonic sub-octaves, while digital pitch tracking can follow chords and provide several intervals with cleaner separation. Tracking speed, polyphonic accuracy, latency and the balance of dry, upper and lower voices determine whether the result feels tight, organ-like, synthetic or deliberately unstable.

Tags

Bass

Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.