The Electro Harmonix Good Vibes Analog Modulator is where retro design meets modern innovation. Recreate the iconic warm sounds of the 1960s thanks to photocell technology and internally-boosted power-rails which is true to the original Uni-Vibe® design. With tight fast vibrato sounds and swooshing rich choruses there are plenty of sounds to experiment with and make your own. With this pedal theres no need to settle for a sound that isnt truly what you want. The vast selection of controls allows you to finetune your sound with an exceptional amount of versatility. Yet they are astonishingly easy to use. So whether its a simple underlying pulse youre looking for or a rich almost psychedelic chorus the Electro Harmonix Good Vibes Analog Modulator has got you covered. Get ready for a truly awesome set.
Electro Harmonix Good Vibes Analog Modulator
This is a New Electro Harmonix Good Vibes Analog Modulator from Electro Harmonix, listed in Specialist Effects Pedals on Just Pedals. Read More below.
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Brand
Electro Harmonix
In the current JustPedals catalogue, Electro Harmonix is represented by Fuzz Pedals, Overdrive Pedals and Octave Pedals. Current listings include Q-Tron+, Nano Clone and V256 Vocoder. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.
Category
Specialist Effects Pedals
Specialist effects alter the signal in ways that do not sit cleanly inside one established family. They may use granular processing, frequency shifting, resonators, freeze or sustain, bit reduction, ring modulation, feedback networks or combinations of several techniques. The relevant distinction is the underlying process, its tracking or latency, and how completely the dry signal can be blended or replaced.
Tags
Analogue
Analogue products use continuous audio circuitry for some or all of the signal path, so clipping, filtering or modulation arises from physical components rather than sampled algorithms. The label does not guarantee a particular tone; component choice, headroom, bias, noise and the surrounding gain stages still matter. Check whether the switching, presets, control section or cabinet stage is digital when the exact signal path is important.
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