Electro Harmonix Flatiron Fuzz

£71.20

This is a New Electro Harmonix Flatiron Fuzz from Electro Harmonix, listed in Fuzz Pedals on Just Pedals. Read More below.

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Ferocious fuzz in a compact size. Meet the Electro Harmonix Flatiron Fuzz. This is a must have on any rock indie and alternative guitarists pedal board. It provides you with classic op-amp fuelled fuzz at the single press of a true bypass switch. Engaging it unravels a plethora of awe-inspiring tones. The interface is incredibly intuitive. With only three knobs to decide your tone. Your approach will be instinctive and highly musical. Theres no need to waste time reading manuals. As one of the most popular effects of all time fuzz has been used by so many guitar legends over the years becoming a staple part of their sound. With the Flatiron Fuzz Pedal at your disposal you can do the same.

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Brand

Electro Harmonix

Founded by Mike Matthews in New York City in 1968, Electro-Harmonix became known for inventive effects that brought new sounds within reach of guitarists. Its first product was the LPB-1 Linear Power Booster; the company’s long-running catalogue ranges from fuzz and overdrive to delay, modulation, octave and experimental processing. JustPedals listings include the Small Clone chorus, Small Stone phaser, Memory Boy delay, POG 2 octave generator and Micro Q-Tron envelope filter. Check the exact version and power requirements when comparing EHX models, since familiar names often span different generations and formats.

Category

Fuzz Pedals

Fuzz drives the signal into extreme clipping, often flattening the waveform and generating a thick spectrum of harmonics. Transistor type, bias, input loading and tone filtering create markedly different responses, from loose and velvety to gated, spluttering or octave-rich. Some circuits interact strongly with pickup impedance and guitar volume, while others include buffers or blends for a more consistent response.

Tags

True Bypass

Connects input directly to output through mechanical or relay switching when the effect is off, removing the active circuit from the audio path. It avoids buffer colour but leaves cable capacitance and switching design to influence high-frequency loss and possible switching noise.