Electro Harmonix Andy Summers “Walking On The Moon” Analog Flanger Filter Matrix Pedal

£119.99

This is a New Electro Harmonix Andy Summers “Walking On The Moon” Analog Flanger Filter Matrix Pedal from Electro Harmonix is in our Flanger Pedals category on Just Pedals. Read More below.

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Celebrating the iconic, shimmering flanger sounds of Andy Summers, the Electro Harmonix "Walking on the Moon" analog flanger pedal is a tribute to the tones Andy employed in the early days of playing with The Police. Liquid flange effects that hint toward chorus, but with extra depth and nuance, make Andy's sound one of the most coveted in all of the guitar-verse!

"This beautiful shimmering which sort of made the sound bigger and more glamourous… became a sort of characteristic of my guitar sound. A big part of my guitar sound at that time in The Police was the flange sound which we have here today in this great new pedal." — Andy Summers

Simple, Tactile Control Layout

The Andy Summers Walking on the Moon is an analog flanger with a simple but powerful control set that comprises Rate, Range, and Colour. Rate sets the speed of modulation which ranges from slow, smooth filter sweeps to jittering vibrato. Range controls how narrow or wide the effect sweeps into the bass frequency range. The Colour knob affects the intensity of the flanger effect from subtle chorusing to classic jet woosh sounds.

Filter Matrix

Additionally, the Walking on the Moon includes a Filter Matrix which disengages the LFO from the flanger circuit, freezing the flanger giving a fixed filter effect, which can add chime or metallic overtones to your sound without the movement of a traditional modulation pedal. A Dry output allows you to split your dry signal from the effected signal.

Key Features

  • Delivers the classic analog flanger/filter matrix sounds of Andy Summers.
  • Rate control sets the modulation speed.
  • Range knob adjusts lower limit of flanger sweep.
  • Colour controls the intensity of the flanger effect.
  • Dedicated Dry output.
  • Special 'Artist Edition' graphics.
  • Includes "Walking on the Moon" poster design by Laura Josephson.
  • 9V power supply included (optional 9V battery not included).

Specifications

  • Circuit: Analog
  • Bypass: True Bypass
  • Audio: Mono
  • Power Supply: 9.6V DC, 200mA Power Adapter Included (Optional 9V Battery Not Included)
  • Current Draw: 40mA
  • Dimensions: 4.75" x 4" x 2.25"

Related videos

Brand

Electro Harmonix

Founded by Mike Matthews in New York City in 1968, Electro-Harmonix became known for inventive effects that brought new sounds within reach of guitarists. Its first product was the LPB-1 Linear Power Booster; the company’s long-running catalogue ranges from fuzz and overdrive to delay, modulation, octave and experimental processing. JustPedals listings include the Small Clone chorus, Small Stone phaser, Memory Boy delay, POG 2 octave generator and Micro Q-Tron envelope filter. Check the exact version and power requirements when comparing EHX models, since familiar names often span different generations and formats.

Category

Flanger Pedals

Flanging mixes the dry signal with a very short delay whose time is continuously modulated. The paths reinforce and cancel at regularly spaced frequencies, producing a moving comb-filter sweep with a hollow, metallic or jet-like character. Rate and depth set the motion, while feedback sharpens the notches and can push the effect towards resonant, self-oscillating textures.

Tags

Analogue

The signal is shaped by continuously varying electronic circuitry rather than being converted into a digital effect algorithm. Component choice, operating voltage and circuit tolerances influence headroom, noise, clipping texture and the small variations in response between designs.

Bass

Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.

Filter

Changes tone by allowing selected frequency regions to pass while attenuating others. Cutoff sets the transition point, resonance emphasises frequencies around it, and an envelope, treadle or modulation source can move that point to create vocal or sweeping motion.