EBS Multicomp Blue Label True Dual Band Compressor Pedal

£149.99

This is a New EBS Multicomp Blue Label True Dual Band Compressor Pedal from EBS, listed in Compressor Pedals on Just Pedals. Read More below.

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The EBS MultiComp is undoubtedly EBS’ most popular pedal, used on countless pedals worldwide for many years. The MultiComp hits the sweet spot between dynamic response and smooth, punchy consistency across the fretboard. It can also be used simply to push the gain and beef up the overall sound when desired.  

Guaranteed Great Sound

Compressors aren’t always easy to get a great sound out of – it often requires a bit of time and tweaking before you’re happy. That’s what makes the MultiStomp so special; it sounds great regardless of your settings.

Specifications

  • Nominal Input Level: -10 or -4 dBv
  • Input Impedance: 1.8 Mohms
  • Bandwidth +0/-3 dB: 20 – 20k Hz
  • Gain Range: 0 – 15 dB (makeup)
  • Compressor Ratio min/max: 1:1 – 5:1
  • Sensitivity Range (Threshold): -25 – +6 dB
  • Attack Time (80%): <10 ms
  • Release Time (80%): typ. 100 ms
  • Dimensions W x H x D:  2.6” x 4.5” x 1.9” (67 x 115 x 48 mm)
  • Weight: 315g (0.7 lb.)
  • Type: Analog Effect, Relay type Switching
  • Power Requirements: 9, 12 or 18 V DC, 45 mA max.
  • Pedal shuts off below 6.0 V

Related videos

Brand

EBS

In the current JustPedals catalogue, EBS is represented by Preamp & DI Pedals, Octave Pedals and Wah & Filter Pedals. Current listings include Micro, Valve Drive and Stanley Clarke Acoustic Preamp. That makes the range relevant to players looking for modelling, direct rigs and multi-effects, plus acoustic instrument signal shaping. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Compressor Pedals

Compression reduces the difference between louder and quieter parts of the signal. It can restrain peaks, lift decaying notes and make picking feel more even, but strong settings also change the attack and add audible sustain or pumping. Threshold, ratio, attack, release and blend determine when gain reduction begins, how firmly it acts and how much natural transient detail remains.

Tags

Analogue

The signal is shaped by continuously varying electronic circuitry rather than being converted into a digital effect algorithm. Component choice, operating voltage and circuit tolerances influence headroom, noise, clipping texture and the small variations in response between designs.