EBS Multicomp Blue Label True Dual Band Compressor Pedal

£149.99

This is a New EBS Multicomp Blue Label True Dual Band Compressor Pedal from EBS, listed in Compressor Pedals on Just Pedals. Read More below.

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The EBS MultiComp is undoubtedly EBS’ most popular pedal, used on countless pedals worldwide for many years. The MultiComp hits the sweet spot between dynamic response and smooth, punchy consistency across the fretboard. It can also be used simply to push the gain and beef up the overall sound when desired.  

Guaranteed Great Sound

Compressors aren’t always easy to get a great sound out of – it often requires a bit of time and tweaking before you’re happy. That’s what makes the MultiStomp so special; it sounds great regardless of your settings.

Specifications

  • Nominal Input Level: -10 or -4 dBv
  • Input Impedance: 1.8 Mohms
  • Bandwidth +0/-3 dB: 20 – 20k Hz
  • Gain Range: 0 – 15 dB (makeup)
  • Compressor Ratio min/max: 1:1 – 5:1
  • Sensitivity Range (Threshold): -25 – +6 dB
  • Attack Time (80%): <10 ms
  • Release Time (80%): typ. 100 ms
  • Dimensions W x H x D:  2.6” x 4.5” x 1.9” (67 x 115 x 48 mm)
  • Weight: 315g (0.7 lb.)
  • Type: Analog Effect, Relay type Switching
  • Power Requirements: 9, 12 or 18 V DC, 45 mA max.
  • Pedal shuts off below 6.0 V

Related videos

Brand

EBS

In the current JustPedals catalogue, EBS is represented by Preamp & DI Pedals, Octave Pedals and Wah & Filter Pedals. Current listings include Micro, Valve Drive and Stanley Clarke Acoustic Preamp. That makes the range relevant to players looking for modelling, direct rigs and multi-effects, plus acoustic instrument signal shaping. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Compressor Pedals

Compressor pedals reduce dynamic range by turning louder peaks down and raising or sustaining the average level. Attack and release determine whether the pick transient remains sharp or is softened; ratio, threshold, blend and output gain decide whether the result is discreet control or an obvious effect. Compression can even out clean picking, add sustain before an overdrive, tighten bass or provide a steady vocal signal, but it can also raise noise and reduce touch contrast. Check the controls and gain structure before placing one in a busy chain.

Tags

Analogue

Analogue products use continuous audio circuitry for some or all of the signal path, so clipping, filtering or modulation arises from physical components rather than sampled algorithms. The label does not guarantee a particular tone; component choice, headroom, bias, noise and the surrounding gain stages still matter. Check whether the switching, presets, control section or cabinet stage is digital when the exact signal path is important.