EarthQuaker Devices Blumes Low Signal Shredder Overdrive

£124.99

This is a New EarthQuaker Devices Blumes Low Signal Shredder Overdrive from EarthQuaker Devices, listed in Overdrive Pedals on Just Pedals. Read More below.

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The EarthQuaker Devices Blumes Low Signal Shredder Overdrive is an innovative bass overdrive effects pedal that redefines the boundaries of sonic exploration. Designed for the modern bassist it takes a unique approach to overdrive with a modified Plumes circuit that delivers twice the gain and a deeper bass response. This pedal offers three unique clipping options: symmetrical LED asymmetrical silicon and a no diode OpAmp drive giving musicians the freedom to sculpt their sound with precision. Not just feature-packed the Blumes Low Signal Shredder Overdrive is crafted with a commitment to quality and durability. It boasts of an all-analogue signal path and internal bipolar power operation which ensures integrity of signal and enriches the tonal output. The inclusion of Flexi-Switch Technology makes it a versatile choice for both momentary and traditional latching footswitch operation. Handcrafted in Akron Ohio and backed by a lifetime warranty this pedal is a testament to superior craftsmanship and reliability. Despite its powerful capabilities the pedals compact design and low current draw of 25 mA make it an efficient and space-saving addition to any musicians kit.

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Brand

EarthQuaker Devices

In the current JustPedals catalogue, EarthQuaker Devices is represented by Octave Pedals, Fuzz Pedals and Overdrive Pedals. Current listings include Organizer V2, Hoof Fuzz V2 and Buffer/Splitter. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Overdrive Pedals

Overdrive pedals add controlled clipping and harmonics while retaining more of the instrument’s attack and dynamics than heavier distortion. They can simulate a pushed valve amp, add a mid lift, tighten the low end or provide a lower-gain always-on voice. Gain, tone, output, presence, bass and clipping options determine how the pedal responds to pickups and the next stage. Before choosing, decide whether it should clean up from the guitar volume, stack with another drive or feed an already driven amplifier.

Tags

Analogue

Analogue products use continuous audio circuitry for some or all of the signal path, so clipping, filtering or modulation arises from physical components rather than sampled algorithms. The label does not guarantee a particular tone; component choice, headroom, bias, noise and the surrounding gain stages still matter. Check whether the switching, presets, control section or cabinet stage is digital when the exact signal path is important.

Bass

Bass products are designed or voiced to retain low-frequency information and usable headroom with bass guitar or other low-register sources. Controls may centre on clean blend, low-end EQ, compression, crossover points or drive character. A guitar pedal can sometimes work well on bass, but it may remove the fundamental or compress the transient. Check the frequency response, input impedance, output level and dry-signal path with the intended tuning and amplifier.

DIY Kit

Supplied as components and hardware to be assembled into a working pedal. Circuit complexity, board layout, enclosure preparation and off-board wiring set the difficulty, while accurate component values, polarity and solder joints determine the final noise, reliability and sound.