Digitech DOD Meatbox Sub Synth Pedal

£149.99

This is a New Digitech DOD Meatbox Sub Synth Pedal from DigiTech, listed in Synth Pedals on Just Pedals. Read More below.

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Here is what Digitech say about the Digitech DOD Meatbox Sub Synth Pedal:

“Answering the call of low frequency freaks everywhere, the DOD Meatbox is an updated take on the cult favourite Meatbox from the ‘90s. More than just an octaver, the Meatbox is a thick-cut subharmonic synthesizer as well. Adding in sub notes so low that you need to be careful not to blow your speakers. A TRS out allows you to split the subharmonic synthesized signal out to the P.A. for teeth-rattling, bone wrenching, bowel-shaking, booty-quaking bass that will rock the house, literally.”

Specifications

  • INPUT: 1 X ¼” Instrument
  • OUTPUT: 1 X ¼” TRS (Tip = Octave +Sub, Ring = Dry, Sleeve = Ground)
  • CHASSIS MATERIAL: All Metal
  • POWER SUPPLY: 9V Alkaline Dry Battery or Optional Power Supply
  • Dimensions: HEIGHT: 2.25” (5.71 Cm), WIDTH: 2.63” (6.68 Cm), LENGTH: 4.68” (11.88 Cm), WEIGHT: 0.62 Lbs. (0.281 Kg.)

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Brand

DigiTech

In the current JustPedals catalogue, DigiTech is represented by Pitch & Harmoniser Pedals, Looper Pedals and Synth Pedals. Current listings include Drop, Bass Whammy and HammerOn. That makes the range relevant to players looking for modelling, direct rigs and multi-effects. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Synth Pedals

A synth pedal analyses an instrument signal and uses it to control generated oscillators, filters and envelopes. Unlike ordinary distortion, the output may replace the original waveform with a distinctly electronic voice. Tracking mode, pitch range, envelope response, filter movement, polyphony and dry blend determine how accurately the synthesis follows playing dynamics and whether the result behaves as bass, lead, pad or texture.

Tags

Bass

Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.