The Darkglass ANAGRAM Bass Workstation is a next-gen multi-effects unit built for bass. With a six-core DSP engine and ultra-low latency performance it delivers studio-quality tone shaping and seamless live control. From rich overdrives to detailed modulation everything is tailored specifically for bass with support for NAM and AIDA-X neural models and cabinet IRs. A high-resolution 7″ touchscreen three footswitches and six rotary encoders make navigating presets and adjusting effects feel effortless. Integrated tools like a looper tuner and global mixer keep your workflow smooth while Darkglass Suite connectivity allows for easy preset management and updates. Its power precision and performance – all in one box.
Darkglass ANAGRAM Bass Workstation
This is a New Darkglass ANAGRAM Bass Workstation from Darkglass Electronics, listed in Bass Effects Pedals on Just Pedals. Read More below.
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Brand
Darkglass Electronics
Darkglass is a Finnish effects and amplification brand focused on bass. Its range centres on preamps, drives and dynamics tools for shaping a bass signal on stage and in the studio. The Microtubes family includes the B7K preamp and X series, while Alpha and Omega offer distinct distortion voices; Hyper Luminal adds compression with digital control. JustPedals listings include Alpha Omicron, Microtubes B7K, Microtubes X and Hyper Luminal. Darkglass documentation identifies Helsinki for some equipment, but manufacturing origin should be checked by model rather than assigned to the whole range.
Category
Bass Effects Pedals
Bass effects are voiced to preserve low-frequency weight and note definition while changing dynamics, harmonics, pitch, modulation or ambience. Many use clean blends, split-frequency processing or bass-specific filter ranges so the fundamental remains solid beneath the effected signal. Headroom, crossover frequency and low-end retention matter because a circuit that suits guitar can thin or overload a bass signal.
Tags
Presets
Stores complete groups of parameter values for later recall. The number of locations, switching time, spillover behaviour and whether presets include routing, expression and MIDI assignments determine how completely one sound can change into another.
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