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Crowther Audio Hotcakes Overdrive Pedal

About the Hotcake by Paul Crowther.Initial one made in 1976, while I was in the UK with Split Enz.The Hotcake is designed to leave the undistorted component of the guitar sound unchanged, while providing a nice fat distortion sound without resorting to a treble cut circuit which will also affect the guitar tonality. With the Drive and Presence controls set to minimum, and the Level at around 2 o’clock, you should be hard pressed to hear any change in the sound at all when you switch the Hotcake in and out.You can get a clean volume boost by increasing the…

SKU: HOTCAKES
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Description

here at Just Pedals we love this Crowther Audio Hotcakes Overdrive Pedal.

About the Hotcake by Paul Crowther.

Initial one made in 1976, while I was in the UK with Split Enz.

The Hotcake is designed to leave the undistorted component of the guitar sound unchanged, while providing a nice fat distortion sound without resorting to a treble cut circuit which will also affect the guitar tonality.

With the Drive and Presence controls set to minimum, and the Level at around 2 o’clock, you should be hard pressed to hear any change in the sound at all when you switch the Hotcake in and out.

You can get a clean volume boost by increasing the Level control. Increasing the Drive will give you a thick distortion sound with a little bit of edge to it, and the Presence control adds some mid-range punch to the sounds.

The Hotcake also handles chords well.

It is recommended that the Hotcake is patched between the guitar and amplifier, rather than into an amplifier’s effect loop.
Generally speaking, if you are happy with your guitar and amplifier combination, the Hotcake will work well as a primary distortion.

Tech Specs.

  • Input impedance: 1
  • Megohm. (equivalent to a typical valve amplifier. )
  • Output impedance: less than 13k Ohm
  • Recommended minimum output load impedance: 100k Ohm.
  • Bypass type: Circuit converts into a high quality buffer with simple, quiet, seamless switching, using gold plated contacts.
  • Phase polarity: Non inverting.
  • Continuous current consumption approx. 3.5 mA (LED on)
  • External power supply socket. 9-12VDC, 2.1mm, pin negative. Compatible with most popular AC adapters.
  • If more than one pedal is powered from the same adapter, a regulated type should be used to minimise “hum” (100/120hz) which can be caused by circulating ripple currents.   

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Overdrive

Overdrive is a popular guitar effect that creates a warm, distorted sound by amplifying the signal of an electric guitar, typically using a pedal or an amp’s built-in circuit. The effect simulates the natural distortion that occurs when a tube amplifier is pushed to its limit, creating a rich, harmonic response that adds sustain, warmth, and character to the tone. Overdrive pedals are commonly used to add grit and growl to a clean tone without the harshness of full distortion.

The overdrive effect works by boosting the input signal, causing the amplifier to break up and clip the waveform, resulting in a smooth, musical distortion. This is often more subtle and less aggressive than other forms of distortion, making overdrive pedals ideal for blues, classic rock, and country players who seek a dynamic sound that responds to their playing touch. Overdrive pedals can be used in conjunction with other effects like delay and reverb to shape a more complex, evolving sound. Popular overdrive pedals include the Ibanez Tube Screamer, the Fulltone OCD, and the Boss OD-3, each offering different tonal characteristics, from smooth and bluesy to punchy and aggressive.

Pedal

A pedal is an electronic device that alters the sound of an electric guitar by applying various effects. Pedals are typically connected in a series between the guitar and amplifier, allowing guitarists to switch effects on and off with their feet while playing.

This enables musicians to quickly and easily change their sound, adding versatility and creativity to their performances.

Pedals are essential tools in many musical genres, including rock, blues, jazz, and metal, allowing artists to craft distinctive and dynamic soundscapes.

Once you buy one, you can’t stop and then you have to sell them and buy more.