Brand

Crazy Tube Circuits

In the current JustPedals catalogue, Crazy Tube Circuits is represented by Overdrive Pedals, Tremolo & Vibrato Pedals and Multi-Effects Pedals. Current listings include Mirage JR Reverb, Time Digital Delay and Unobtanium Dual Overdrive. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Multi-Effects Pedals

Multi-effects pedals combine several processing blocks—such as drive, modulation, delay, reverb, pitch and amp modelling—in one foot-controlled unit. Presets, scenes, USB, MIDI, expression inputs and direct outputs can make them flexible for live and recording work. Compare the internal signal path, the number of simultaneous blocks, editing method, latency and cabinet simulation rather than judging only by the effect count. Also check footswitch spacing, power requirements and whether the unit can integrate cleanly with an amplifier or mixer.

Tags

Chorus

Chorus mixes the dry signal with one or more short, modulated delays to create movement, width and gentle pitch variation. Rate sets the speed; depth sets the excursion; blend, tone and stereo routing control how prominent the effect becomes. Shallow settings can widen a clean part without obscuring the note, while deeper settings create a pronounced wobble. Check mono compatibility, headroom and the position after drives or before a mixer.

Delay

Delay repeats the input after a set time. Feedback controls how long the repeats continue, while filtering, modulation, saturation and mix shape their character and prominence. Tap tempo can set rhythmic timing hands-free, and presets or MIDI can recall several timings. Check maximum delay time, spillover, trails, stereo routing, headroom and whether the pedal is analogue, tape-style or digital when the repeat response is important.

Flanger

Flanger combines the dry signal with a very short, modulated delay and feedback, producing a moving comb-filter effect. Slow rate and shallow depth add width; higher feedback and depth create a strong jet-like sweep. Manual, regeneration, mix and filter controls change how the notches interact with the playing transient. Check mono or stereo routing, headroom, bypass and the position around drive and time-based effects when choosing a flanger.

Reverb

Reverb creates a field of reflections around the dry signal to suggest a room, plate, spring, hall or other space. Decay controls length; pre-delay separates the attack from the ambience; damping, tone, diffusion, modulation and mix shape size, brightness and movement. Short settings add depth without washing out a part, while long tails become a deliberate texture. Check trails, spillover, stereo routing, presets and headroom when placing reverb after gain or delay.