Browne Amplification SSHAC Sky Snake Hawk Stereo Chorus/Vibrato Pedal

£199.99

This is a New Browne Amplification SSHAC Sky Snake Hawk Stereo Chorus/Vibrato Pedal from Browne Amplification, listed in Chorus Pedals on Just Pedals. Read More below.

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Introducing the SSHAC (Sky Snake Hawk Attack Chorus) from Browne Amplification – a pedal that takes classic analog chorus and vibrato to a whole new level! Based on vintage bucket brigade technology, this pedal brings a rich, dynamic sound with enhanced controls designed for modern players.

With its blend knob, you can easily dial in anything from subtle shimmer to full-on vibrato. The speed control offers a range from slow, undulating wobble to fast, Leslie-like warbles, perfect for adding movement and texture to your sound. Whether you’re looking for lush, swirling tones or intense vibrato effects, the SSHAC has you covered.

Plus, the stereo output allows you to run the pedal in a true stereo setup, with wet and dry outputs to give your sound an expansive, immersive quality perfect for wide, sweeping effects.

Engineered with the needs of working musicians in mind, this pedal combines classic warmth with modern versatility – giving you the tools to create unique, expressive sounds for any performance.

Key Features

  • Vintage analog bucket brigade chorus/vibrato circuit
  • Blend knob for dialing between shimmer and vibrato
  • Speed control for a wide range of modulation effects
  • True stereo output with wet and dry outputs for an expansive sound
  • Built to handle the demands of gigging musicians
  • Whether you’re a studio professional or a weekend player, the SSHAC is the chorus pedal you’ve been waiting for!

Brand

Browne Amplification

In the current JustPedals catalogue, Browne Amplification is represented by Overdrive Pedals and Chorus Pedals. Current listings include Gritador Overdrive, ‘The Carbon’ V2 Overdrive and Alkene Nashville Overdrive. That makes the range relevant to players looking for drive, gain and clipping, plus modulation and movement. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Chorus Pedals

Chorus pedals mix the dry signal with one or more short, modulated delays to create movement, width and gentle pitch variation. Rate controls the speed of the modulation; depth controls its excursion; blend, tone and stereo routing determine how prominent the effect becomes. Slower, shallow settings can add width without obscuring the note, while deeper settings move towards a seasick or synthetic wobble. Analogue bucket-brigade and digital designs can behave differently, so check mono compatibility, headroom and the placement of the pedal after drives or before a mixer.

Tags

Analogue

Analogue products use continuous audio circuitry for some or all of the signal path, so clipping, filtering or modulation arises from physical components rather than sampled algorithms. The label does not guarantee a particular tone; component choice, headroom, bias, noise and the surrounding gain stages still matter. Check whether the switching, presets, control section or cabinet stage is digital when the exact signal path is important.

Stereo

Stereo products provide separate left and right audio paths, which may widen modulation, preserve independent delays or route a pedalboard into two amplifiers or a mixer. Input and output behaviour is not always symmetrical: some units sum a stereo input, while others create stereo from a mono source. Check whether the effect collapses safely to mono, how the dry signal is routed, the socket format and the destination’s panning and phase requirements.

Vibrato

Vibrato varies the pitch of the signal over time, unlike tremolo which varies its level. Rate controls speed; depth, waveform, mix, phase and stereo routing determine whether the result is subtle movement or a strong seasick wobble. Check whether the design is true pitch vibrato or a chorus-like blend, how it handles chords, and whether the pedal should sit before or after drive and ambience.