Give your vocals the same level of attention as your guitar with the Boss VE-500 Vocal Performer. Designed specifically for singing guitarists the VE-500 provides you with professional sound quality and world-class effects for your voice. You can even use your guitar to set the pitch correction – ensuring you always sound in-tune with your playing. Not only does the Vocal Performer create sophisticated harmonies you also have access to a powerful vocoder. This lets you inject your guitars tone with electronic voices to give your performance all-new colours and dynamics. If that wasnt enough the Boss VE-500 seamlessly integrates into your pedalboard and recording rig. This lets you deliver stunning and powerful effects enhancements and corrections to your vocals on-the-fly – in the studio and on-stage.
Boss VE-500 Vocal Performer
This is a New Boss VE-500 Vocal Performer from Boss, listed in Specialist Effects Pedals on Just Pedals. Read More below.
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Brand
Boss
BOSS began in Osaka in 1973 as MEG Electronics, a company dedicated to effects. Its first BOSS-branded effect was the CE-1 Chorus Ensemble in 1976; the OD-1, SP-1 and PH-1 launched the compact-effects series in 1977. The JustPedals catalogue includes familiar overdrives and distortions such as the OD-3, SD-1, BD-2, DS-1 and MT-2 Metal Zone, as well as utility items such as the PCS-20A cable. BOSS now spans compact pedals, multi-effects, loopers, tuners and controllers. Manufacturing origin should be checked by model rather than inferred from the brand’s Japanese history.
Category
Specialist Effects Pedals
Specialist effects alter the signal in ways that do not sit cleanly inside one established family. They may use granular processing, frequency shifting, resonators, freeze or sustain, bit reduction, ring modulation, feedback networks or combinations of several techniques. The relevant distinction is the underlying process, its tracking or latency, and how completely the dry signal can be blended or replaced.
Tags
Vocal
Designed for microphone-level signals and the frequency, dynamics and feedback behaviour of the human voice. Input gain, balanced connections, phantom power and pitch tracking may be provided so effects respond correctly before the signal reaches a mixer or PA.
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