The Boss VE-5 is a flexible multi-effects unit for vocalists. Perfect for both live and studio use the VE-5 provides a wide range of high-grade effects for you to tailor your vocal sound. Add depth and space with time-based effects like reverb and delay thicken your voice with harmony or doubling level your volume with dynamics oontrol keep your voice on point or go into classic auto-tune effects with pitch control and add grit or colour with tone effects like distortion and radio. The included phrase looper also allows you to layer repeated effects as a sound bed perfect for reactive performances. Simple and intuitive to use the VE-5 will take input from your microphone and send out to a mixer or interface via XLR. This vocal effects pedal can even store your favourite effects chains so you can easily recall your favourite sounds when performing live or in writing sessions with your band. The VE-5 also provides battery power or mains AC power options (AC adapter sold separately) ensuring you can use it on your own terms perfect for touring or use in studios and home recording this vocal pedal will let you sound great no matter your needs.
Boss VE-5 Vocal Performer Vocal Processor White
This is a New Boss VE-5 Vocal Performer Vocal Processor White from Boss, listed in Vocal Effect Pedals on Just Pedals. Read More below.
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Brand
Boss
BOSS began in Osaka in 1973 as MEG Electronics, a company dedicated to effects. Its first BOSS-branded effect was the CE-1 Chorus Ensemble in 1976; the OD-1, SP-1 and PH-1 launched the compact-effects series in 1977. The JustPedals catalogue includes familiar overdrives and distortions such as the OD-3, SD-1, BD-2, DS-1 and MT-2 Metal Zone, as well as utility items such as the PCS-20A cable. BOSS now spans compact pedals, multi-effects, loopers, tuners and controllers. Manufacturing origin should be checked by model rather than inferred from the brand’s Japanese history.
Category
Vocal Effect Pedals
Vocal processors accept a microphone-level signal and apply effects or pitch-aware processing to the voice. Reverb and delay add space, compression controls dynamics, harmony engines generate additional parts, and formant, doubling, distortion or vocoder processing changes vocal character. Microphone gain, phantom power, feedback control, harmony tracking, footswitch access and balanced connections distinguish a stage-ready processor from an instrument-level pedal.
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