Boss OD-200 Hybrid Drive Overdrive & Distortion Pedal

£269.00

This is a New Boss OD-200 Hybrid Drive Overdrive & Distortion Pedal from Boss, listed in Overdrive Pedals on Just Pedals. Read More below.

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Boss’ 200 Series combines stunning studio-quality sound with their trademark rugged, clean-cut design. This totally new form factor offers unprecedented versatility, value, pro-grade features and tactility – plus an eye-catching sci-fi aesthetic to boot.

The OD-200 Hybrid Drive encapsulates Boss’ decades of experience on the frontline of guitar overdrive and distortion. With 12 unique modes, hybrid analog/digital circuitry and comprehensive controls, this is a true distortion powerhouse.

12 iconic overdrive & distortion sounds

Overdrive is one of the things that put Boss on the map. It’s no surprise, then, that the Series 200 gets its own overdrive workstation. The OD-200 features 12 stunning modes to play with:

  • Overdrive
  • Blues
  • Scream
  • Cntr Od
  • X-drive
  • Dist
  • X-dist
  • Stack Drive
  • Fat Dist
  • Brown
  • X-metal
  • Fuzz

The onboard 3-band EQ lets you sculpt your sound even further, complete with pre/post boosts. An onboard gate keeps noise to a minimum, tightening up your sound to let the drive shine and shimmer. 4 onboard slots let you save and instantly recall your favourite presets, with the Manual mode reflecting the current panel’s settings. The ultimate overdrive toolkit that’ll work wonders for any rig.

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Brand

Boss

BOSS began in Osaka in 1973 as MEG Electronics, a company dedicated to effects. Its first BOSS-branded effect was the CE-1 Chorus Ensemble in 1976; the OD-1, SP-1 and PH-1 launched the compact-effects series in 1977. The JustPedals catalogue includes familiar overdrives and distortions such as the OD-3, SD-1, BD-2, DS-1 and MT-2 Metal Zone, as well as utility items such as the PCS-20A cable. BOSS now spans compact pedals, multi-effects, loopers, tuners and controllers. Manufacturing origin should be checked by model rather than inferred from the brand’s Japanese history.

Category

Overdrive Pedals

Overdrive uses soft or moderate clipping to add harmonics and compression while retaining more of the original note shape than heavy distortion. Some circuits emphasise the midrange and trim bass before clipping; others remain broad, transparent or amplifier-like. Gain, clipping arrangement, headroom and tone filtering decide whether it supplies a light edge, a saturated drive sound or extra push into another gain stage.

Tags

Analogue

The signal is shaped by continuously varying electronic circuitry rather than being converted into a digital effect algorithm. Component choice, operating voltage and circuit tolerances influence headroom, noise, clipping texture and the small variations in response between designs.

Digital

Converts the signal or control process into numerical data for algorithmic processing. Digital designs can provide precise timing, long memory, complex routing and repeatable presets; sample rate, conversion, internal resolution and latency influence fidelity and response.

Distortion

Clips the waveform firmly and adds a dense series of harmonics with compression and sustain. The clipping devices, gain stages and tone filters determine whether the result is tight, smooth, mid-focused, scooped, grainy or deliberately abrasive.

Hybrid

Combines analogue and digital stages within one signal or control design. A digital section may provide memory, routing or modelling while analogue circuitry supplies clipping, filtering or amplification, so the order and blend of the two domains shape the final response.

Presets

Stores complete groups of parameter values for later recall. The number of locations, switching time, spillover behaviour and whether presets include routing, expression and MIDI assignments determine how completely one sound can change into another.