The Boss MT-2 Metal Zone Guitar Effects Pedal offers an all-analog upgrade to the generation-defining distortion pedal. The Standard mode provides an improved update to the original MT-2 sound with greater clarity while Custom mode modernises the timbre and gives greater polish with a widened frequency range improved dynamic response and tightened low end. The sweepable mid boost/cut still allows you to flick back and forth between old school mid-scooped metal tones and much fatter doomier mid-heavy sounds now just with an expanded range. This is complemented by the astonishing amount of gain this pedal can deliver.
Boss MT-2W Waza Craft Metal Zone Distortion Pedal
£144.25
This is a New Boss MT-2W Waza Craft Metal Zone Distortion Pedal from Boss, listed in Distortion Pedals on Just Pedals. Read More below.
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Brand
Boss
In the current JustPedals catalogue, Boss is represented by Multi-Effects Pedals, Delay Pedals and Distortion Pedals. Current listings include PW-3 Wah, PX-1 Plugout FX and FZ-5 Fuzz. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.
Category
Distortion Pedals
Distortion pedals use stronger or more deliberate clipping than a typical overdrive, adding harmonics, compression and sustain. Some are voiced for amp-like crunch, others for high-gain rhythm or a deliberately abrasive texture. Gain, tone, presence, resonance and output controls determine how the pedal interacts with the amplifier and pickups; a blend or noise gate can preserve clarity in heavier settings. Placement changes the result, so check whether the design is intended to push an amp, run into a clean platform or feed a direct cabinet simulation.
Tags
Analogue
Analogue products use continuous audio circuitry for some or all of the signal path, so clipping, filtering or modulation arises from physical components rather than sampled algorithms. The label does not guarantee a particular tone; component choice, headroom, bias, noise and the surrounding gain stages still matter. Check whether the switching, presets, control section or cabinet stage is digital when the exact signal path is important.
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