The Boss ME-90B Bass Multi Effects Processor is a cutting-edge tool for bassists seeking to push their sound further. If you want a comprehensive FX platform but dont want to deal with fiddly touch screens and layers of impenetrable menus then the ME-90B is just the solution! It boasts a whopping collection of 61 meticulously curated effects – all from the BOSS bass effects library – and each with physical tactile knobs to adjust parameters and dial in your ultimate sound. Alongside that are ten onboard AIRD preamp models delivering studio-grade tones in a compact performance package. This hands-on approach is complemented by an expression pedal and direct-access footswitches to offer you an array of adjustments on the fly. Moreover the ME-90B shines in terms of connectivity and adaptability. Whether youre connecting to stage amps house PA systems or computers this processor is equipped for it all. Its superior sound quality is assured through 24-bit AD and 32-bit DA conversion alongside 32-bit floating-point processing and a 48 kHz sampling rate. From the rehearsal room to the stage and the studio the ME-90B is a powerhouse of creativity offering bassists the tools they need to explore new sonic landscapes and refine their signature sound.
Boss ME-90B Bass Multi Effects Processor
This is a New Boss ME-90B Bass Multi Effects Processor from Boss, listed in Bass Effects Pedals on Just Pedals. Read More below.
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Brand
Boss
BOSS began in Osaka in 1973 as MEG Electronics, a company dedicated to effects. Its first BOSS-branded effect was the CE-1 Chorus Ensemble in 1976; the OD-1, SP-1 and PH-1 launched the compact-effects series in 1977. The JustPedals catalogue includes familiar overdrives and distortions such as the OD-3, SD-1, BD-2, DS-1 and MT-2 Metal Zone, as well as utility items such as the PCS-20A cable. BOSS now spans compact pedals, multi-effects, loopers, tuners and controllers. Manufacturing origin should be checked by model rather than inferred from the brand’s Japanese history.
Category
Bass Effects Pedals
Bass effects are voiced to preserve low-frequency weight and note definition while changing dynamics, harmonics, pitch, modulation or ambience. Many use clean blends, split-frequency processing or bass-specific filter ranges so the fundamental remains solid beneath the effected signal. Headroom, crossover frequency and low-end retention matter because a circuit that suits guitar can thin or overload a bass signal.
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