Boss Katana-210 Bass Amplifier Combo with GA-FC Foot Controller

£599.00

This is a New Boss Katana-210 Bass Amplifier Combo with GA-FC Foot Controller from Boss, listed in Pedal Switchers on Just Pedals. Read More below.

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The Boss Katana-210 Bass Amplifier Combo with GA-FC Foot Controller is a high-performance amp designed for the comfort and creativity of any musician in the studio or on stage. Perfect for established bassists this amp delivers a supreme tonal performance and features all the perks of modern technological effects. There are three selectable voicings; mid scoop bright and extended range which enable you to choose from a mix of sounds that are suited to multiple styles and genres – so that you can find and re-find your perfect voice. With the Katana-210 youll never have to worry about being heard. Manufactured with an industry standard speaker system based around two 10-inch woofers this amp is packed with a massive 160 watts of class AB stage power. Also featured are four independent effect sections and with the GA-FC footswitch youll have a world of sounds beneath your feet. You can also edit the effects and settings of the amp from your phone through the optional BOSS Bluetooth Audio MIDI Dual Adapter. Experience complete control of your performance at all times.

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Brand

Boss

In the current JustPedals catalogue, Boss is represented by Multi-Effects Pedals, Delay Pedals and Distortion Pedals. Current listings include PW-3 Wah, PX-1 Plugout FX and FZ-5 Fuzz. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Pedal Switchers

Pedal switchers route effects in and out of the signal path from a central foot controller. They can reduce tap dancing, shorten active cable runs and recall combinations of pedals as presets or scenes. The important differences are the number of loops, series or parallel routing, buffer placement, relay bypass, MIDI, expression and amplifier-channel control. Check loop order, send and return levels, stereo support and whether the switcher can control the pedals and external equipment you already use.

Tags

Bass

Bass products are designed or voiced to retain low-frequency information and usable headroom with bass guitar or other low-register sources. Controls may centre on clean blend, low-end EQ, compression, crossover points or drive character. A guitar pedal can sometimes work well on bass, but it may remove the fundamental or compress the transient. Check the frequency response, input impedance, output level and dry-signal path with the intended tuning and amplifier.

Bluetooth

Bluetooth provides wireless control, audio or app connectivity; it does not necessarily carry the instrument signal through the pedalboard. Check the Bluetooth profile, range, latency, supported devices, pairing method and whether the feature works while the unit is processing audio. A Bluetooth-enabled pedal may use the connection for editing or playback only, so read the specification before relying on it as a live wireless link.

MIDI

MIDI sends, receives or responds to Musical Instrument Digital Interface messages rather than carrying instrument audio itself. Program changes can recall presets, continuous controllers can move parameters and MIDI clock or transport messages can synchronise timing. Check the connector or USB method, channel and message support, clock direction, latency and whether the device needs a separate MIDI host or adapter. MIDI control is powerful, but compatibility depends on the exact messages each product understands.

Vocal

Vocal products process a microphone signal with harmony, reverb, delay, doubling, pitch correction, distortion or tone shaping. Microphone type, phantom-power handling, input gain, footswitch control and balanced output are as important as the effect list. Check key or scale settings, monitoring, feedback control, dry-signal routing and the intended PA or interface connection before using a vocal effect on stage.