Boss DD-200 Digital Delay Pedal

£269.00

This is the Boss DD-200 Digital Delay Pedal from Boss, listed in Delay Pedals on Just Pedals. Read More below.

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Boss’ 200 Series combines stunning studio-quality sound with their trademark rugged, clean-cut design. This totally new form factor offers unprecedented versatility, value, pro-grade features and tactility – plus an eye-catching sci-fi aesthetic to boot.

The DD-200 Digital Delay summarises the core features of Boss’ flagship DD-500 in a space-saving format. With 12 delay modes from classic to state-of-the-art, plus a built-in looper, you simply can’t go wrong.

Key features

  • Class-leading sound quality with 32-bit AD/DA, 32-bit floating point processing, and 96 kHz sampling rate
  • 12 versatile modes provide a wide range of delay types
  • Fast, easy operation with hands-on controls
  • Real-time panel setting and four memories for storing favourite sounds
  • Phrase looper with up to 60 seconds of recording time
  • Panel Lock function disables controls to prevent unwanted changes
  • Customizable multi-function footswitches for bypass, tap tempo, memory selection, looper control, and more
  • Support for expanded control via external footswitches, an expression pedal, or MIDI
  • Full MIDI compatibility with mini TRS jacks (BMIDI-5-35 adaptor cable available separately) for chaining 200 series pedals together
  • Micro USB jack for firmware updates
  • Analog dry through and buffered bypass
  • Runs on PSA-series AC adaptor or three AA-size batteries

Hands-on ambience

With 12 modes of delay, the DD-200 is an all-terrain ambience vehicle. From warbling Space Echo to futuristic shimmer & pad sounds, you’re covered. Not only that; the interface is designed to allow you to easily dial in your favourite sounds with minimal hassle.

No menu-diving, no software required. The essential parameters are right in front of you, with the Param knob offering different functions depending on the sound you’re working with. You get 4 onboard slots to save your favourite presets, as well as a real-time Manual mode that reflects the current interface settings. Finally, the carryover function means your delay will continue ringing even when you change presets – no more clunky sound changes.

Intuitive looping

When you press the DD-200’s two footswitches together, you activate looper mode. This gives you up to 60 seconds of mono recording time, with a selection of simple and direct controls thanks to the onboard switches. In addition, the looper behaves independently, so you can build expressive loops with any of the DD-200’s rich delay sounds.

DD-200 Delay Modes

  • Standard – Clear digital delay. PARAM adjusts the delay attack.
  • Analog – Emulates classic analog “BBD” delays like the BOSS DM series. PARAM controls character and distortion amount.
  • Tape – Emulates the warm tape-based sound of the legendary Roland RE-201 Space Echo. PARAM selects different combinations of three playback heads, and also adjusts the amount of distortion in the delay sound.
  • Drum – Models the drum-based Binson Echorec 2. PARAM selects different combinations of four playback heads, and also adjusts the amount of distortion in the delay sound.
  • Shimmer – Pitch-shifted delay for lush, heavenly textures. PARAM adjusts the delay brightness.
  • Tera Echo – Spacious, animated ambience effect derived from the BOSS TE-2 pedal. PARAM adjusts the sound character.
  • Pad Echo – Newly developed delay sound for creating drifting ambient textures. PARAM adjusts the delay attack.
  • Pattern – Rhythmic sounds with 16 delay lines layered together. PARAM selects different pattern variations.
  • Lo-Fi – Delay sound with fat, distorted character. PARAM adjusts the distortion effect.
  • Dual – Two different delay lines connected in series. PARAM adjusts the time of the second delay.
  • Reverse – Backwards delay for cool psychedelic effects and other unique tones. PARAM adjusts the delay attack.
  • Ducking – Delay with a built-in ducking effect. PARAM adjusts the input sensitivity.

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Brand

Boss

Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.

Boss pedals are renowned for their rugged construction, intuitive controls, and signature sound quality. The company offers a comprehensive lineup of effects pedals covering various categories, including distortion, overdrive, delay, modulation, and more. Iconic pedals like the DS-1 Distortion, the DS-2 Turbo Distortion, the DD-3 Digital Delay, and the MT-2 Metal Zone have become staples on countless pedalboards due to their versatility and reliability.

Category

Delay Pedals

Delay records the incoming signal for a chosen interval and repeats it after the original note. Feedback returns repeats to the delay line, while tone, filtering, modulation and saturation determine whether echoes remain clear, darken progressively, wobble like tape or degrade like analogue bucket-brigade circuits. Delay time and rhythmic subdivisions govern the spacing and musical pattern of the repeats.

Tags

Analogue

The signal is shaped by continuously varying electronic circuitry rather than being converted into a digital effect algorithm. Component choice, operating voltage and circuit tolerances influence headroom, noise, clipping texture and the small variations in response between designs.

Digital

Converts the signal or control process into numerical data for algorithmic processing. Digital designs can provide precise timing, long memory, complex routing and repeatable presets; sample rate, conversion, internal resolution and latency influence fidelity and response.

MIDI

Sends, receives or responds to Musical Instrument Digital Interface messages rather than carrying the instrument audio itself. Program changes recall presets, continuous controllers move parameters, and MIDI clock or transport messages synchronise timing between devices.

Tap Tempo

Measures repeated foot taps and converts their interval into an effect rate or delay time. Subdivisions translate that pulse into dotted, triplet or other rhythmic values, while averaging and range limits influence how quickly and accurately the tempo settles.

USB

Provides a Universal Serial Bus connection for power, audio, MIDI, firmware or editing data. The supported USB class and connector do not by themselves show its purpose; channel count, sample format, host compatibility and power demand define the actual function.