Behringer HB01 HellBabe Wah Pedal

£44.99

This is a New Behringer HB01 HellBabe Wah Pedal from Behringer, listed in Wah & Filter Pedals on Just Pedals. Read More below.

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Here's what Behringer say about the HB01 HellBabe wah:

The HELL-BABE HB01 is unlike any wah you’ve ever stepped on, offering a tremendous array of tone-sculpting options. You get everything from “old-school” wah to the most up-to-date sounds, all in one mesmerizing effects pedal. Add to that optical control that does away with noisy pots, an adjustable spring mechanism and tunable boost, and this babe’s a contender! The HELL-BABE will add new dimension and depth to your artistic expression.

What’s So Great About the HELLBABE?

First of all, the HB01’s heel-down Range control provides low frequency adjustment that can be swept from 440 Hz down to 250 Hz, making the HB01 the ideal companion for either guitar or bass. For custom-tailoring the toe-down frequency range, the HELL-BABE features a Fine control, allowing you to adjust the frequency sweep as high as 2.2 kHz.

Volume Boost

You can even dial in a powerful volume Boost (up to +15 dB), so that when you do step on the HB01, your guitar will rise to the top of the mix. A highly versatile Q control is provided for precise filter shaping and for achieving vocal-like effects.

Key Features

  • Multi-functional Wah-Wah pedal—offers everything you need for all styles and sounds
  • This Behringer product has been designed to compete head to head with leading products on the market
  • Total optical control for wear-and-tear-free pedal operation (no mechanical pots and switches)
  • Unique spring-back pedal mechanism with resistance adjustment for ultimate playing style (option to remove)
  • Heel-down frequency range freely adjustable via Range control (440 Hz to 250 Hz) for use even with bass guitars
  • Additional Fine Tune control allows high-end extension of sweep range for incredibly bright, ultra-present tone
  • Ultra-musical Q control for precise filter shaping to achieve vocal-like effects
  • Tunable boost function including On/Off switch to push your licks up to the limit
  • Dual LED indicators for Effect On/Off and Boost On/Off at the tail of the pedal for total control
  • Ultra-low noise circuitry for outstanding audio performance
  • Runs on 9 V battery or the Behringer PSU-SB DC power supply (not included)
  • 3-Year Warranty Program
  • Designed and engineered in Germany

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Brand

Behringer

In the current JustPedals catalogue, Behringer is represented by Multi-Effects Pedals, Wah & Filter Pedals and Overdrive Pedals. Current listings include FUZZ BENDER, Pedal Flanger and Dual-Phase. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Wah & Filter Pedals

Wah and filter pedals move or emphasise a frequency range to create a vocal sweep, resonant peak, cocked-wah tone or envelope-controlled response. A treadle wah is controlled by foot position; an auto-filter follows playing dynamics or a control source. Sweep range, resonance, Q, bias, input loading and bypass all change the feel. Check whether the circuit prefers to see the guitar directly, how it handles bass or synth signals and where it should sit around fuzz, overdrive and modulation.

Tags

Bass

Bass products are designed or voiced to retain low-frequency information and usable headroom with bass guitar or other low-register sources. Controls may centre on clean blend, low-end EQ, compression, crossover points or drive character. A guitar pedal can sometimes work well on bass, but it may remove the fundamental or compress the transient. Check the frequency response, input impedance, output level and dry-signal path with the intended tuning and amplifier.

Vocal

Vocal products process a microphone signal with harmony, reverb, delay, doubling, pitch correction, distortion or tone shaping. Microphone type, phantom-power handling, input gain, footswitch control and balanced output are as important as the effect list. Check key or scale settings, monitoring, feedback control, dry-signal routing and the intended PA or interface connection before using a vocal effect on stage.