The Tech 21 Marty Friedman Signature SansAmp is a compact all-in-one tone solution built to capture Martys unmistakable sound with plug-and-play simplicity. Designed around his signature clean dirty and lead tones it brings the feel of a full amp rig into a single pedal. The unique SansAmp circuitry delivers realistic amp and cabinet emulation while the two operating modes – Studio and Performance – make it easy to store edit and recall up to 128 custom presets. From smooth expressive leads to tight rhythm grit this pedal nails the dynamic response and touch sensitivity that define Martys playing. Controls for Drive active 3-band EQ Reverb and an adjustable Gate give you full control over your tone while the Filter knob fine-tunes the mids to sit perfectly in a mix. Built-in speaker simulation makes it ideal for recording or going direct to a PA and the onboard tuner effects loop and MIDI support add serious flexibility. Tough reliable and designed to deliver world-class tone with zero hassle the Marty Friedman SansAmp is pure inspiration in a box.
Tech 21 Marty Friedman Signature Sansamp
This is a New Tech 21 Marty Friedman Signature Sansamp from Tech 21 is in our Multi-Effects Pedals category on Just Pedals. Read More below.
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Brand
Tech 21
Tech 21 began in Manhattan in 1989 when designer Andrew Barta introduced SansAmp, an all-analogue amplifier and speaker-emulation circuit for direct recording. SansAmp remains central to the company’s guitar and bass range, appearing in standalone preamps, DI pedals, rack units and Fly Rig products. JustPedals listings include the GT2, Programmable Bass Driver DI, Para Driver DI and Character Series VT Bass DI, as well as the MIDI Mouse. These products shape or send a direct instrument signal, rather than providing only conventional modulation or ambience; compare instrument voicing and output connections.
Category
Multi-Effects Pedals
A multi-effects processor combines several effect algorithms and signal-routing stages in one unit. Its sound depends not only on the individual models but on their order, parallel or serial routing, processing resolution and available control. Preset structure, switching gaps, foot control, expression assignment, amp or cabinet modelling, USB audio and MIDI determine how completely the processor can replace separate pedals.
Tags
MIDI
Sends, receives or responds to Musical Instrument Digital Interface messages rather than carrying the instrument audio itself. Program changes recall presets, continuous controllers move parameters, and MIDI clock or transport messages synchronise timing between devices.
Presets
Stores complete groups of parameter values for later recall. The number of locations, switching time, spillover behaviour and whether presets include routing, expression and MIDI assignments determine how completely one sound can change into another.
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