Rainger FX Dr. Freakenstein CHOP FUZZZ Guitar Pedal

£269.00

This is the Rainger FX Dr. Freakenstein CHOP FUZZZ Guitar Pedal from Rainger, listed in Guitar Pedals on Just Pedals. Read More below.

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This pedal is an incarnation with modification of the Rainger FX Dr Freakenstein dynasty.

The Chop Fuzzz is an uncompromising all-analogue, full-on gated fuzz pedal – with a whole bunch of interesting ways of manipulating the signal.

As well as fuzz, the pedal has two types of modulation, a pressure-operated expression pedal (to do wah wah-like effects), a tunable drone facility that is capable of creating ring modulator tones – basically it’s a Multi-FX pedal.

Key Features

  • Built-In Noise Gate – It’s weirdly quiet when you’re not playing.
  • Built-In Squarewave Tremolo – When locked-on, in combination with the ‘LFO’ section it can create all kinds of slowly sweeping helicopter effects, or fast, bubbling synthy-sounds.
  • Control with a Synth – It can be controlled using 5v CV by sequencer or modular synth.
  • A Pedal Which Keeps An Eye on You – There’s a spooky ‘eye meter’, showing the input signal level, but also – using backlight illumination – the LFO and ‘Chop’ operation and Hi/Lo setting.

The fuzz circuit is the same massive distortion one used in the original Dr Freakenstein Fuzz (plus the three versions that followed, and the first Dr Freakenstein Chop Fuzz, and the six minipedal versions). It’s incredibly loud, with a ton of low-end, and searing highs available.

Overtone

This is like a wah wah with the tone of an extreme phaser. Set it using the knob, manipulate it in real time by foot with our Igor pressure pad controller (supplied), or with the CV input.

LFO

This modulates the signal in a slightly more ‘3D’ way than the ‘overtone’ sound. Moving in a triangle waveshape, the speed can be set using two knobs. ‘Slow’ has a low-speed range – for long, slowly-twisting cycles right up to fast wobbles, while the second one – ‘fast’ – is in the audio range; tune it in to a specific pitch (across several octaves) underneath the notes or chords that you’re playing.

Brand

Rainger

Category

Fuzz Pedals

Fuzz drives the signal into extreme clipping, often flattening the waveform and generating a thick spectrum of harmonics. Transistor type, bias, input loading and tone filtering create markedly different responses, from loose and velvety to gated, spluttering or octave-rich. Some circuits interact strongly with pickup impedance and guitar volume, while others include buffers or blends for a more consistent response.

Guitar Pedals

Guitar Pedals is a useful category for players looking to shape their guitar or bass sound in a more focused way. Products in this area can help with tone, control, routing, performance or creative sound design depending on the exact type of gear involved.

For anyone building a pedalboard, guitar pedals options can help fill a specific gap in the signal chain or open up new sounds that are difficult to achieve with an amp alone. They are worth exploring when you want a more personal, flexible and practical setup.

Tags

Fuzz

Pushes the signal into extreme clipping, often approaching a square wave and producing dense harmonics. Transistor type, bias, input loading and filtering govern whether the texture is smooth, woolly, gated, spluttering, octave-rich or highly responsive to the instrument volume.

Guitar Pedal

Guitar Pedal pedals and related effects are commonly used by guitarists looking to shape their tone in a more focused and creative way. Different designs offer their own response, feel and tonal character depending on the style of music and the type of amplifier or guitar being used.

Many players build pedalboards gradually over time, combining different effects and utilities to create a setup that suits their own sound and workflow. Guitar Pedal related gear can play an important role in both live performance and studio recording.

Wah

Sweeps a resonant filter through the spectrum to create vowel-like changes in tone. The treadle or automatic control moves the centre frequency, while sweep range, resonance, input loading and mechanical taper determine how sharply and where the voice changes.