Just Video – BOSS OC-5 OCTAVE – The New Standard In Octave Pedals

Fusing classic BOSS octave tones with the latest tracking technologies, the BOSS OC-5 sets a new standard in octave pedal performance Brings together the best of its predecessors; the vintage warm mono tones of the 1982 OC-2 and the range-extending poly mode of the OC-3 – plus so much more The Poly mode enhances your chord playing; with the Range knob setting the note range where the effect is applied. The Lowest Range setting in Poly mode applies the octave effect to only the lowest note in a chord New octave-up effect, available in both Vintage and Poly modes, extends your creativity further. Use it on its own for faux 12-string sounds and unique solo tones, or blend it with the octave-down effects for extended chord voicings and super-fat leads A dedicated mode switch optimizes the tracking engine for guitar or bass – for super-accurate response and natural feel with no latency AC adaptor not included, optional BOSS PSA adaptor recommended.

Discordant ringing drones, visceral octave scrapes, and ground-shaking distortion A triumphant return to Death By Audio's Queens workshop Overdrive, fuzz and octave Goes from totally silent to extremely loud Footswitchable octave Extended the range of the original controls

Under low light conditions on stage, the knob can be quickly recognized and adjusted, with a 340k none impedance output to ensures lossless transmission of high-frequency signals The metal Metal alloy body achieves octave stacking, and a single guitar can simulate bass, tonics, and chord trios effects, making it suitable for bands to quickly switches parts during rehearsals The circuit compartment adopts a 2900 output impedance metal shell, reducing 30% electromagnetic noise and maintaining sound effects in the studio environment Equipped with shock absorbing pads, small in size, easy to store and carry Provided a safe transportation solution for the equipment of musicians It is possible to create 3 separate sounds, 1 octave lower, 2 octaves lower with 1 octave high, and 1 adjustable embellishment, so that with only 1 guitar, 3 octaves can be played and each tone has a separate volumes control

[PURE SIGNAL WHEN OFF] True bypass construction helps preserve the natural character of your bass when the pedal is disengaged. Your original tone remains clear direct and uncolored without unwanted loss making this a dependable choice for players who want expanded octave options without sacrificing base signal integrity. [PRECISE BLEND CONTROL] Independent Octave Level and Clean Level controls let you shape the perfect mix of effected and dry signal with confidence. Dial in a light supporting layer for subtle thickening or push the octave harder for a bold synth like foundation that still responds naturally to your playing dynamics. [FLEXIBLE TONE SHAPING] The Clean Tone tilt EQ helps balance your core bass frequencies while the Octave Filter uses a multi pole low pass design to refine the effect voice. Create smooth rounded subharmonics for supportive low end or sharper more metallic textures that cut clearly through a busy mix. [RICH ANALOG OCTAVE] Built with an analog circuit inspi… read more

It is possible to 3 separate sounds, 1 octave lower, 2 octaves lower with 1 octave high, and 1 adjustable embellishment, so that with only 1 guitar, 3 octaves can be played and each tone has a separate volumes control Under low light conditions on stage, the knob can be quickly recognized and adjusted, with a 340k none impedance output to ensures lossless transmission of high-frequency signals Equipped with shock absorbing pads, small in size, easy to store and carry Provided a safe transportation solution for the equipment of musicians The circuit compartment adopts a 2900 output impedance metal shell, reducing 30% electromagnetic and maintaining sound effects in the studio environment The metal Metal alloy body achieves octave stacking, and a single guitar can simulate bass, tonics, and chord trios effects, making it suitable for bands to quickly switches parts during rehearsals