Just Video – BOSS OC-5 Octave – Sound Example for Acoustic Guitar

Fusing classic BOSS octave tones with the latest tracking technologies, the BOSS OC-5 sets a new standard in octave pedal performance Brings together the best of its predecessors; the vintage warm mono tones of the 1982 OC-2 and the range-extending poly mode of the OC-3 – plus so much more The Poly mode enhances your chord playing; with the Range knob setting the note range where the effect is applied. The Lowest Range setting in Poly mode applies the octave effect to only the lowest note in a chord New octave-up effect, available in both Vintage and Poly modes, extends your creativity further. Use it on its own for faux 12-string sounds and unique solo tones, or blend it with the octave-down effects for extended chord voicings and super-fat leads A dedicated mode switch optimizes the tracking engine for guitar or bass – for super-accurate response and natural feel with no latency AC adaptor not included, optional BOSS PSA adaptor recommended.

Equipped with shock absorbing pads, small in size, easy to store and carry Provided a safe transportation solution for the equipment of musicians Under low light conditions on stage, the knob can be quickly recognized and adjusted, with a 340k none impedance output to ensures lossless transmission of high-frequency signals The circuit compartment adopts a 2900 output impedance metal shell, reducing 30% electromagnetic noise and maintaining sound effects in the studio environment The metal Metal alloy body achieves octave stacking, and a single guitar can simulate bass, tonics, and chord trios effects, making it suitable for bands to quickly switches parts during rehearsals It is possible to create 3 separate sounds, 1 octave lower, 2 octaves lower with 1 octave high, and 1 adjustable embellishment, so that with only 1 guitar, 3 octaves can be played and each tone has a separate volumes control

Equipped with shock absorbing pads, small in size, easy to store and carry Provided a safe transportation solution for the equipment of musicians Under low light conditions on stage, the knob can be quickly recognized and adjusted, with a 340k none impedance output to ensures lossless transmission of high-frequency signals The circuit compartment adopts a 2900 output impedance metal shell, reducing 30% electromagnetic noise and maintaining sound effects in the studio environment The metal Metal alloy body achieves octave stacking, and a single guitar can simulate bass, tonics, and chord trios effects, making it suitable for bands to quickly switches parts during rehearsals It is possible to create 3 separate sounds, 1 octave lower, 2 octaves lower with 1 octave high, and 1 adjustable embellishment, so that with only 1 guitar, 3 octaves can be played and each tone has a separate volumes control

Polyphonic Guitar/Bass Octave Pedal with Mono/Poly Modes Dry Direct Output Lowest Range setting in Poly mode applies the octave effect to only the lowest note in a chord The industry-standard octave pedal, updated with enhanced features