Electro Harmonix Soul POG Overdrive/Octave Multi-Effect

£299.00

This is a New Electro Harmonix Soul POG Overdrive/Octave Multi-Effect from Electro Harmonix, listed in Multi-Effects Pedals on Just Pedals. Read More below.

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The Electroc Harmonix Soul POG combines two sweet pedals – the Soul Food transparent overdrive and Nano POG polyphonic octave generator all in one potent multi-effect. Use them alone or together put either first in the chain insert other pedals between them with the FX loop. Also includes a cool Mode switch for a choice of two different octave-up sounds. The versatile Soul POG delivers award-winning overdrive and flawless polyphonic octaves in any combination.

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Brand

Electro Harmonix

In the current JustPedals catalogue, Electro Harmonix is represented by Fuzz Pedals, Overdrive Pedals and Octave Pedals. Current listings include Q-Tron+, Nano Clone and V256 Vocoder. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Multi-Effects Pedals

A multi-effects processor combines several effect algorithms and signal-routing stages in one unit. Its sound depends not only on the individual models but on their order, parallel or serial routing, processing resolution and available control. Preset structure, switching gaps, foot control, expression assignment, amp or cabinet modelling, USB audio and MIDI determine how completely the processor can replace separate pedals.

Tags

Octave

Generates a pitch one or more octaves above or below the played note. Analogue division creates a raw monophonic sub-octave, while digital processing can track chords and several intervals; latency, tracking range and dry/effect balance control clarity and stability.

Overdrive

Uses moderate clipping and gain-dependent compression to add harmonics while retaining much of the original note contour. Bass filtering, mid emphasis, clipping symmetry and available headroom decide whether it sounds open and amplifier-like, tightly focused or heavily saturated.