Darkglass Hyper Luminal Compressor

£279.00

This is a New Darkglass Hyper Luminal Compressor from Darkglass Electronics, listed in Compressor Pedals on Just Pedals. Read More below.

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Hybrid of pure analog signal with signature digital technology. With versatile modes and controls the Darkglass Hyper Luminal Compressor has features like no other compression pedal. The Hyper Luminal has the ability to model some of the most iconic compressors by capturing their characteristics. The three modes include a powerful and punchy model an energetic and bright mode and an old school compressor with a modern twist. For further flexibility this Darkglass Compressor is equipped with six simple controls that can achieve many sonic possibilities. There are four standard control knobs including blend time compression and level however Darkglass innovative touch metal sensors offer smooth control over the ratio and mode.

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Brand

Darkglass Electronics

In the current JustPedals catalogue, Darkglass Electronics is represented by Preamp & DI Pedals, Overdrive Pedals and Distortion Pedals. Current listings include Darkglass NSG Noise Gate, Darkglass MIDI Footswitch and Darkglass Microtubes X Ultra. That makes the range relevant to players looking for drive, gain and clipping, plus modelling, direct rigs and multi-effects. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Compressor Pedals

Compressor pedals reduce dynamic range by turning louder peaks down and raising or sustaining the average level. Attack and release determine whether the pick transient remains sharp or is softened; ratio, threshold, blend and output gain decide whether the result is discreet control or an obvious effect. Compression can even out clean picking, add sustain before an overdrive, tighten bass or provide a steady vocal signal, but it can also raise noise and reduce touch contrast. Check the controls and gain structure before placing one in a busy chain.

Tags

Analogue

Analogue products use continuous audio circuitry for some or all of the signal path, so clipping, filtering or modulation arises from physical components rather than sampled algorithms. The label does not guarantee a particular tone; component choice, headroom, bias, noise and the surrounding gain stages still matter. Check whether the switching, presets, control section or cabinet stage is digital when the exact signal path is important.

Digital

Digital products use conversion and processing to create, store or control the effect. This can provide presets, complex routing, repeatable algorithms, USB, MIDI and firmware features, but conversion, latency, power requirements and clocking depend on the design. Check the input and output levels, sample or impulse-response support, bypass behaviour and current draw when combining a digital unit with analogue pedals or a direct recording setup.

Hybrid

Hybrid products combine analogue audio circuitry with digital control, conversion or processing. The useful question is which part of the signal path stays analogue and which functions—such as presets, filtering, modulation or USB—are handled digitally. This can provide hands-on response with modern recall, but latency, power and bypass behaviour vary. Check the signal path and routing rather than assuming the label describes the entire product.