Catalinbread Sabbra Cadabra Pt. 1

Gain Knob: The Gain knob controls the gain, but circuit-wise, it is identical to the Bright Volume control on the tweed Bassman. So, turned down low, you will get those great sparkly cleans, turned up midway or so, and you will get that elusive touch-sensitive response where you can play clean or dirty just by varying your picking attack. And cranked all the way up, you will get the gain structure of a Bassman on 12, thick and overdriven, but still sounding very California Volume: This is the master volume that controls the output of the pedal. The lower you set the Gain knob, the higher you would want to run the Volume. For the best clean and on edge-of-breakup response, turn the Volume all the way up and start with the Gain control at a minimum and then slowly bring up the Gain control to the desired response. This will give you the most authentic Bassman experience Presence Trimpot: There is a trimpot (accessible by removing the bottom plate) that allows you to fine-tune the amount … read more

Catalinbread Galileo Treble Boost Foundation Overdrive Pedal: The Galileo is a custom-tuned Range master booster combined with the pre-amp section of a Vox AC30 delivering the distinctive throaty mid-range and jangly crunch of Brian May Lead Tones: With guitar volume knob turned full up, you’ll get the soaring lead tones and tight but aggressive rhythm tones of Brian May Controls: The Galileo has three controls tuned to deliver the essence of the Brian May sound – Gain , Tone, and Volume Volume: The Volume knob sets the output level Tone: The Tone knob controls the treble and bass tones in a single knob

Can get clean to crunch from your guitar’s volume knob so you can leave it on all night and use it as your base tone Can be stacked with other overdrive, boost, and fuzz pedals in front of it to enhance those, just like a real cranked up amp would Can give you control over your stage volume without compromising your dynamics or touch-sensitivity Can give you a much better base crunch tone then most overdrive channels on amps Utilizing 2-6L6 output tubes into 4-10" speakers, the Bassman quickly became the mainstay of stages everywhere during that era.

Features a gooey saturated fuzz circuit with a voltage starve circuit to gently increase harmonic content Low-Cut knob to tighten up the flubbiness that plagues some silicon fuzz circuits Low-Cut control enacts a tastefully executed filter circuit that cuts the bass frequencies from 40Hz to 500Hz with the turn of a knob Additional volume than the typical “Face” circuit, so you can still push your amp regardless of knob settings Supports a standard DC power supply of 9 Volts

Frequency booster circuit that doesn’t cut anything, giving you a richer tone with a little oomph where it counts Clean blend circuit that begins after the frequency boost and ends after the tape preamp, so you can EQ the sum of your clean tone and dirt, all while preserving your pick attack and presence The whole shebang runs at 20V, just a hair higher than the original Aiwa, expanding its capabilities and delivering tons of headroom International products have separate terms, are sold from abroad and may differ from local products, including fit, age ratings, and language of product, labeling or instructions.