Catalinbread Galileo MKII

Catalinbread Galileo Treble Boost Foundation Overdrive Pedal: The Galileo is a custom-tuned Range master booster combined with the pre-amp section of a Vox AC30 delivering the distinctive throaty mid-range and jangly crunch of Brian May Lead Tones: With guitar volume knob turned full up, you’ll get the soaring lead tones and tight but aggressive rhythm tones of Brian May Controls: The Galileo has three controls tuned to deliver the essence of the Brian May sound – Gain , Tone, and Volume Volume: The Volume knob sets the output level Tone: The Tone knob controls the treble and bass tones in a single knob

Can get clean to crunch from your guitar’s volume knob so you can leave it on all night and use it as your base tone Can be stacked with other overdrive, boost, and fuzz pedals in front of it to enhance those, just like a real cranked up amp would Can give you control over your stage volume without compromising your dynamics or touch-sensitivity Can give you a much better base crunch tone then most overdrive channels on amps Utilizing 2-6L6 output tubes into 4-10" speakers, the Bassman quickly became the mainstay of stages everywhere during that era.

Verzerrer Effekte Gitarren We emphasise a balanced combination of careful workmanship and selected materials. OUR GOAL – Your satisfaction is our top priority and takes centre stage.

Preamp: Famous for making your guitar sound better even when the echoes are turned off. Quality of repeats: The Echoplex was not necessarily 'hi-fi'. As the echoes repeated, the signal got progressively degraded, losing low end and gaining a shiny, percussive top end with a bit of grit. Record level: There’s a control on the EP-3 that sets how hard the tape gets hit. Wow and flutter: The Belle Epoch’s modulation control was designed to simulate the daily mechanical irregularities inherent in original Echoplex units. Head drag: The original unit had a unique quality that when moving the delay time slider it took a moment to catch up to the adjustment, creating a doppler like effect.

Flanger enveloped in a cavernous reverb Embedded a very gentle noise gate to stifle inherent guitar hiss and LFO clock noise The result is an extremely musical flanger that sounds like an extension of your own instrument Can also fuel up and take off when a little dirt of any kind is applied beforehand Runs from 9 to 18 volts using a standard DC center-negative power supply for pedals. Make sure you’re using a supply that provides at least 100mA