Catalinbread Galileo MKII

Catalinbread Galileo Treble Boost Foundation Overdrive Pedal: The Galileo is a custom-tuned Range master booster combined with the pre-amp section of a Vox AC30 delivering the distinctive throaty mid-range and jangly crunch of Brian May Lead Tones: With guitar volume knob turned full up, you’ll get the soaring lead tones and tight but aggressive rhythm tones of Brian May Controls: The Galileo has three controls tuned to deliver the essence of the Brian May sound – Gain , Tone, and Volume Volume: The Volume knob sets the output level Tone: The Tone knob controls the treble and bass tones in a single knob

Flanger enveloped in a cavernous reverb Embedded a very gentle noise gate to stifle inherent guitar hiss and LFO clock noise The result is an extremely musical flanger that sounds like an extension of your own instrument Can also fuel up and take off when a little dirt of any kind is applied beforehand Runs from 9 to 18 volts using a standard DC center-negative power supply for pedals. Make sure you’re using a supply that provides at least 100mA

Verzerrer Effekte Gitarren We emphasise a balanced combination of careful workmanship and selected materials. OUR GOAL – Your satisfaction is our top priority and takes centre stage.

Incredible Dynamic Range: The Catalinbread RAH Overdrive Pedal is designed to deliver guitarists an incredible dynamic range that responds to picking hand and volume knob Uncompressed: Like a good amplifier, the RAH is very uncompressed, which means there is little to hide behind 3-Knob Tone Circuit: This overdrive effects pedal features the specific three-knob tone circuit straight from the custom Jimmy Page model Hiwatt Interactive Knobs: Like most traditional amp EQ circuits, the knobs are interactive, meaning turning one can alter the behavior of the other Mid and Bass Controls: The magic is getting the Mid and Bass controls dialed in together. Tweak those until you get the right tone for your guitar and amp

Preamp: Famous for making your guitar sound better even when the echoes are turned off. Quality of repeats: The Echoplex was not necessarily 'hi-fi'. As the echoes repeated, the signal got progressively degraded, losing low end and gaining a shiny, percussive top end with a bit of grit. Record level: There’s a control on the EP-3 that sets how hard the tape gets hit. Wow and flutter: The Belle Epoch’s modulation control was designed to simulate the daily mechanical irregularities inherent in original Echoplex units. Head drag: The original unit had a unique quality that when moving the delay time slider it took a moment to catch up to the adjustment, creating a doppler like effect.