The Dunlop Mick Ronson Cry Baby Wah is a faithful recreation of one of rocks most distinctive tone-shaping tools based on Ronsons own Italian-made pedal. Known for his work with David Bowie and beyond Ronson used a wah in a fixed position to craft rich melodic tones that became a defining part of his sound. This limited edition model captures that same expressive character delivering a balanced musical filter that enhances your tone without overpowering it. Developed with input from legendary producer Bob Rock this pedal has been carefully engineered to match the response and feel of the original. A custom inductor vintage-style components and a fast-reacting sweep combine to create a unique voice thats bright smooth and incredibly dynamic. Whether youre chasing classic glam-era tones or looking for a more refined wah character this pedal offers something genuinely special.
Dunlop Mick Ronson Cry Baby Wah
This is a New Dunlop Mick Ronson Cry Baby Wah from Dunlop is in our Wah & Filter Pedals category on Just Pedals. Read More below.
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Brand
Dunlop
In the current JustPedals catalogue, Dunlop is represented by Wah & Filter Pedals, Fuzz Pedals and Delay Pedals. Current listings include DVP4 Volume X Mini, CryBaby Wah-Wah 95Q and JD4S Rotovibe. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.
Category
Wah & Filter Pedals
Wah effects sweep a resonant band-pass or related filter through the frequency spectrum, creating the vowel-like movement associated with the treadle. Envelope filters move automatically in response to picking level, while fixed and sequenced filters use other control sources. Sweep range, resonance, direction, sensitivity and input loading determine whether the response is vocal, percussive, smooth or sharply synthetic.
Tags
Vocal
Designed for microphone-level signals and the frequency, dynamics and feedback behaviour of the human voice. Input gain, balanced connections, phantom power and pitch tracking may be provided so effects respond correctly before the signal reaches a mixer or PA.
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