Empress Reverb Pedal

£459.00

This is a New Empress Reverb Pedal from Empress Effects, listed in Reverb Pedals on Just Pedals. Read More below.

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The Reverb by Empress is an absolute beast of a Reverb pedal with the option to get every Reverb sound under the sun. With incredible sound quality and the option to really tweak your reverb sound.

For each preset you can edit the decay, mix and total output as well as fine-tune the EQ. It also has a ‘thing 1’ and ‘thing 2’ knob to alter different parameters depending on the preset.

You can store up to 35 presets and scroll through your favourites whether they be hall, plate, spring or ambient. Importantly, it’s all easy to tweak on the top end of the pedal without scrolling through thousands of digital screens and menus.

Here’s what Empress say about the Reverb

Realistic simulations of spaces, as well as never-before-heard surreal ambiances are represented with stunning sound quality. Sporting stereo ins and outs, a small footprint and all the controls at your finger-tips, it strikes the perfect balance of control and ease of use, avoiding laborious menus. Presets, the versatile control port, and MIDI open up a world of possibilities for live performances. Whether you’re looking for a classic spring, realistic room or new sonic flavors to expand your creativity, this pedal delivers. And….it’s got a beer mode!

Features

  • 24 studio quality algorithms and counting – The pedal has 12 algorithm types, some include multiple variations. For example, vintage and studio plate, dark and bright springs. Also, as more algorithms get added you can update your pedal via the SD Card. It’s the pedal that keeps on giving.
  • Pristine Classic Sounds – pristine sounding classic hall, plate, spring and room sounds that rival or surpass studio units costing many times more.
  • Ambient Sounds – A complete palette of tweak-able ambient sounds that offer the creative player so much territory to explore and make their own.
  • Easy to use and fast to dial in – All the algorithm controls are sitting on a knob in front of you, no fiddling through laborious menus.
  • Tap Functions – many algorithms have infinite hold settings or the ability to tap in delay time.
  • Low Noise signal path – Features a signal to noise ratio of >104dB and maintains an analog dry path.
  • Up to 35 Presets – Settings can be saved to 35 presets. With three stomp switches, accessing the presets is easy.
  • 2 Preset Modes – Bank style or scrolling style preset modes.
  • True Bypass and Buffered Bypass – It can be configured to run with true bypass or buffered bypass if you want to hear trails.
  • Cabinet Simulator – 3 variations to choose from, perfect for recording, practicing or for gigs without an amp.
  • Output Transformer – Get hum-free operation when operating in stereo with two amps. Output 2 is isolated with a transformer to eliminate nasty ground loops.
  • High Quality Audio – 48kHz sampling, with 24 bit conversion and 32 bit internal processing.
  • Analog Dry Path – Dry signal is left untouched, and blended with the wet signal using VCA. (no zipper noise, hooray!)
  • Unsurpassed Connectivity – The Universal Control Port allows you to connect an expression pedal, external tap switch, control voltage, external audio input and MIDI – all using a standard 1/4″ jack!
  • Advanced Configuration Menu – The Advanced configuration menu lets you configure how your reverb works. Select from true or buffered bypass, 0-35 presets, MIDI configuration, Control port control(expression pedal, external tap, control voltage and MIDI) as well as which style of preset system to use, input signal pad, output transformer enable and more!
  • Small Size – The enclosure measures approximately 5.7″ by 3.75″ by 1.75″, which is delightfully small when considering all the features packed into this unit.

Specifications

  • Input Impedance: 1M
  • Output Impedance: 100
  • Output Impedance (transformer): 600
  • Frequency Response (-3dB, dry): 10Hz – 50kHz
  • Frequency Response (-3dB, wet): 10Hz – 23.4kHz
  • Total Harmonic Distortion (dry): 0.09%
  • Total Harmonic Distortion (wet): 0.22%
  • Dynamic Range (dry): 106.9 dBA
  • Dynamic Range (wet): 105.5 dBA
  • Input Headroom (dry): +10.0 dBu
  • Input Headroom (wet, no pad): +0.5 dBu
  • Input Headroom (wet, 6dB pad): +5.7 dBu
  • Input Headroom (wet, 12dB pad): +10.8 dBu
  • Output Headroom: +16.2dBu
  • Power Input Connector: 2.1mm Barrel Connector
  • Required Current: 300mA
  • Height (enclosure only): 1.75″
  • Height (including controls): 2.25″
  • Length: 5.7″
  • Width: 3.75″
  • Weight: 1.5lbs

Related videos

Brand

Empress Effects

In the current JustPedals catalogue, Empress Effects is represented by EQ Pedals, Overdrive Pedals and Reverb Pedals. Current listings include Empress Reverb, Empress Buffer and Reverb. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Reverb Pedals

Reverb pedals create the impression of rooms, plates, springs, halls or other spaces by surrounding the dry sound with a field of reflections. Decay controls length; pre-delay separates the attack from the ambience; damping, tone, modulation, diffusion and mix set size, brightness and movement. Short settings can add depth without washing out a part, while long tails become a deliberate texture. Check trails, spillover, stereo routing, presets, tap or MIDI control and the pedal’s headroom after drives.

Tags

Digital

Digital products use conversion and processing to create, store or control the effect. This can provide presets, complex routing, repeatable algorithms, USB, MIDI and firmware features, but conversion, latency, power requirements and clocking depend on the design. Check the input and output levels, sample or impulse-response support, bypass behaviour and current draw when combining a digital unit with analogue pedals or a direct recording setup.

MIDI

MIDI sends, receives or responds to Musical Instrument Digital Interface messages rather than carrying instrument audio itself. Program changes can recall presets, continuous controllers can move parameters and MIDI clock or transport messages can synchronise timing. Check the connector or USB method, channel and message support, clock direction, latency and whether the device needs a separate MIDI host or adapter. MIDI control is powerful, but compatibility depends on the exact messages each product understands.

Presets

Preset-capable products can store and recall effect settings, signal paths or control assignments. The useful differences are the number of locations, whether footswitches or MIDI can recall them, what parameters are saved, how quickly they change and whether trails continue between settings. Check editing, backup, firmware, expression and USB requirements, and confirm that the preset system covers the parameters you need rather than assuming every control is recalled.

Stereo

Stereo products provide separate left and right audio paths, which may widen modulation, preserve independent delays or route a pedalboard into two amplifiers or a mixer. Input and output behaviour is not always symmetrical: some units sum a stereo input, while others create stereo from a mono source. Check whether the effect collapses safely to mono, how the dry signal is routed, the socket format and the destination’s panning and phase requirements.