ThorpyFX Field Marshal Fuzz Pedal

£199.99

This is a New ThorpyFX Field Marshal Fuzz Pedal from ThorpyFX is in our Fuzz Pedals category on Just Pedals. Read More below.

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Founded in 2014, ThorpyFX has always had a clear goal: to make the best sounding & most rugged pedals available on the market. The Field Marshal is no exception – a gloriously decadent fuzz pedal that goes from rich mid-boost to molten carnage, with plenty of dynamics in between.

Inspired by Lovetone

As with the Bunker, the Field Marshal is inspired by a Lovetone classic: the Big Cheese fuzz. Offering a more compact and flexible experience, the Field Marshal offers the same tone stack bypass option as the Bunker – but the amount of fuzz on tap is not to be sniffed at.

The three knobs labelled Volume, Fuzz and Tone do exactly what you’d expect, with a three-way toggle switch to choose between three modes: gated, mid-push and big mid-push. A highly sought-after fuzz tone that’ll put a smile on your face in no time.

Key features

  • Four knobs to control Volume, Fuzz, Tone, Balance.
  • Two footswitches, one for on/off and the other for tone stack bypass.
  • A three way toggle switch to change modes from gated fuzz, flat mids to enhanced mids.
  • A beautiful laser cut black anodised aluminium enclosure wrapped in a metallic orange base.
  • Engineered to be robust but functional with recessed knobs, sloped front and top mounted jacks.
  • 9-volt operation and standard DC input

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Brand

ThorpyFX

In the current JustPedals catalogue, ThorpyFX is represented by Fuzz Pedals, Overdrive Pedals and Boost Pedals. Current listings include WOPR Fuzz, Hanami Fuzz and KUDU Overdrive. That makes the range relevant to players looking for drive, gain and clipping, plus modulation and movement. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Fuzz Pedals

Fuzz drives the signal into extreme clipping, often flattening the waveform and generating a thick spectrum of harmonics. Transistor type, bias, input loading and tone filtering create markedly different responses, from loose and velvety to gated, spluttering or octave-rich. Some circuits interact strongly with pickup impedance and guitar volume, while others include buffers or blends for a more consistent response.