Pro Co LIL RAT Distortion Pedal

£85.00

This is the Pro Co LIL RAT Distortion Pedal from Pro Co, listed in Guitar Pedals on Just Pedals. Read More below.

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The ProCo LIL RAT Distortion Pedal offers the instantly recognisable sound of the Rat distortion pedal in a small compact design. Half the size of the flagship RAT 2 pedal the Lil Rat still delivers the exact same decimating destruction whilst conserving room on your pedalboard. Its three-control design features distortion filter and volume controls allow you to full personalise your sound. Ranging from warm overdrive to sawing fuzz tones the variety in sounds you can get from this pedal is outstanding. Seamlessly positioned into your pedalboard this pedal conserves room allowing you to accompany it with an abundance of pedals. With perfect sound this pedal will excel you into the spotlight making it a must-have for any guitarists setup.

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Brand

Pro Co

Category

Guitar Pedals

Guitar Pedals is a useful category for players looking to shape their guitar or bass sound in a more focused way. Products in this area can help with tone, control, routing, performance or creative sound design depending on the exact type of gear involved.

For anyone building a pedalboard, guitar pedals options can help fill a specific gap in the signal chain or open up new sounds that are difficult to achieve with an amp alone. They are worth exploring when you want a more personal, flexible and practical setup.

Overdrive Pedals

Overdrive uses soft or moderate clipping to add harmonics and compression while retaining more of the original note shape than heavy distortion. Some circuits emphasise the midrange and trim bass before clipping; others remain broad, transparent or amplifier-like. Gain, clipping arrangement, headroom and tone filtering decide whether it supplies a light edge, a saturated drive sound or extra push into another gain stage.

Tags

Distortion

Clips the waveform firmly and adds a dense series of harmonics with compression and sustain. The clipping devices, gain stages and tone filters determine whether the result is tight, smooth, mid-focused, scooped, grainy or deliberately abrasive.

Fuzz

Pushes the signal into extreme clipping, often approaching a square wave and producing dense harmonics. Transistor type, bias, input loading and filtering govern whether the texture is smooth, woolly, gated, spluttering, octave-rich or highly responsive to the instrument volume.

Guitar Effects Pedals

Guitar Effects Pedals pedals and related effects are commonly used by guitarists looking to shape their tone in a more focused and creative way. Different designs offer their own response, feel and tonal character depending on the style of music and the type of amplifier or guitar being used.

Many players build pedalboards gradually over time, combining different effects and utilities to create a setup that suits their own sound and workflow. Guitar Effects Pedals related gear can play an important role in both live performance and studio recording.

Guitar Pedal

Guitar Pedal pedals and related effects are commonly used by guitarists looking to shape their tone in a more focused and creative way. Different designs offer their own response, feel and tonal character depending on the style of music and the type of amplifier or guitar being used.

Many players build pedalboards gradually over time, combining different effects and utilities to create a setup that suits their own sound and workflow. Guitar Pedal related gear can play an important role in both live performance and studio recording.

Overdrive

Uses moderate clipping and gain-dependent compression to add harmonics while retaining much of the original note contour. Bass filtering, mid emphasis, clipping symmetry and available headroom decide whether it sounds open and amplifier-like, tightly focused or heavily saturated.