Indestructible powerful and fierce. The Dunlop GBJ95 Crybaby Junior Wah allows you to experience the pedal that has been a staple of rock and blues since the 60s whilst reaping the benefits of amazing versatility and glorious practical features. Switch between three wah voices that have been derived from some of Dunlops most notable sounds and perform with decimating dynamics. From a ferocious modern wah to a vintage sounding effect this pedal encompasses everything you need to deliver a mind-blowing set. Aside from offering such delicious sounds this pedal has been designed with an abundance of practical elements in mind. Mount to your pedalboard easily thanks to the flush base and align your other pedals neatly alongside it; its shape and size ensures it fits nicely whilst leaving ample room for your other effects. The jacks are conveniently positioned on the front of the pedal to accommodate super packed boards in which no space is unnecessarily taken up by cables ends.
Dunlop CBJ95 Crybaby Junior Wah
This is a New Dunlop CBJ95 Crybaby Junior Wah from Dunlop is in our Wah & Filter Pedals category on Just Pedals. Read More below.
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Brand
Dunlop
In the current JustPedals catalogue, Dunlop is represented by Wah & Filter Pedals, Fuzz Pedals and Delay Pedals. Current listings include DVP4 Volume X Mini, CryBaby Wah-Wah 95Q and JD4S Rotovibe. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.
Category
Wah & Filter Pedals
Wah effects sweep a resonant band-pass or related filter through the frequency spectrum, creating the vowel-like movement associated with the treadle. Envelope filters move automatically in response to picking level, while fixed and sequenced filters use other control sources. Sweep range, resonance, direction, sensitivity and input loading determine whether the response is vocal, percussive, smooth or sharply synthetic.
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