MXR CSP027 Timmy Overdrive

£139.00

This is the MXR CSP027 Timmy Overdrive from MXR, listed in Overdrive Pedals on Just Pedals. Read More below.

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Tone that will make your knees quake. The MXR Timmy Overdrive is ready to add crunch to your rig bringing you a versatile range of overdriven tones. Designed by veteran pedal expert Paul Cochrane you know that this means business. Go from subtle distortion to a menacing crunch with a simple twist of the knob. Your guitar tone is about to go up a gear. The Timmy Overdrive may sound like an untamed beast but it promises simplicity with a modest design. Youll never have to worry about running out of space on your pedalboard. And when youre ready to go back to your safe clean sound your signal wont be coloured by the circuitry. Thats a dream come true for working guitarists.

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Brand

MXR

MXR is a renowned manufacturer of guitar effects pedals and audio electronics, recognized for their classic designs and high-quality sound. Established in the 1970s, MXR has played a significant role in shaping the landscape of effects pedals, producing iconic units that have become staples in countless musicians’ rigs. The company’s pedals are celebrated for their rugged construction, intuitive controls, and versatile tones, making them popular among guitarists and bassists across genres.

MXR’s product lineup encompasses a wide range of effects categories, including distortion, delay, modulation, and more. Some of their most notable pedals include the Phase 90 phaser, the Dyna Comp compressor, and the Carbon Copy analog delay, all of which have earned legendary status among players for their distinctive sound and reliability. With a legacy of innovation and a commitment to quality, MXR continues to be a respected name in the world of guitar effects, inspiring musicians to explore new sonic possibilities and express themselves creatively.

Category

Overdrive Pedals

Overdrive uses soft or moderate clipping to add harmonics and compression while retaining more of the original note shape than heavy distortion. Some circuits emphasise the midrange and trim bass before clipping; others remain broad, transparent or amplifier-like. Gain, clipping arrangement, headroom and tone filtering decide whether it supplies a light edge, a saturated drive sound or extra push into another gain stage.