TC Electronic HyperGravity Mini Compressor

£70.00

This is a New TC Electronic HyperGravity Mini Compressor from TC Electronic its found in our Compressor Pedals on the Just Pedals menu. Read More below.

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The TC Electronic HyperGravity Mini is a pedal which provides endless compression options through TC Electronics proprietary TonePrint technology delivering everything from studio-grade multi-band compression to rich warm vintage compression. This means you can discover countless compression tones designed by legends of the industry tweaking them to find your own unique voice. The ultra-compact design of the HyperGravity Mini makes it suitable for any pedalboard fitting into those tight spots on a crowded board or providing ample remaining space on an empty one. Being the worlds smallest multiband compressor the HyperGravity Mini takes all the good stuff from its bigger brother and condenses it all down into a super-compact enclosure.

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Brand

TC Electronic

Founded in Denmark in 1976 by brothers Kim and John Rishoj, TC Electronic first made its mark with the Stereo Chorus Flanger (SCF), prized for its transparent modulation. The company later developed the TC 2290 digital delay, a landmark studio processor, and extended its guitar range with compact effects, loopers and TonePrint-enabled pedals. JustPedals listings include the MojoMojo overdrive, Dark Matter distortion, Spark Booster, Ditto X2 looper and Flashback Triple Delay. TC Electronic now covers guitar, bass and voice products, so compare the exact model’s stereo routing, presets and control method.

Category

Compressor Pedals

Compression reduces the difference between louder and quieter parts of the signal. It can restrain peaks, lift decaying notes and make picking feel more even, but strong settings also change the attack and add audible sustain or pumping. Threshold, ratio, attack, release and blend determine when gain reduction begins, how firmly it acts and how much natural transient detail remains.

Tags

Vocal

Designed for microphone-level signals and the frequency, dynamics and feedback behaviour of the human voice. Input gain, balanced connections, phantom power and pitch tracking may be provided so effects respond correctly before the signal reaches a mixer or PA.