The Boss DS-1X is not an upgraded DS-1 its a lot LOT more. Boss have decided to reinvent distortion. Up to now overdrive and distortion circuits have always been analog aside from expensive modelling technology Boss have seen the potential of digitally processing overdrive however and created the remarkably innovative DS-1X. This pedal can process each frequency band separately and tailor the effect to each. This is alongside a shift in focus away from midrange so the pedal now emphasises bass and treble response giving a truly modern feel perfect for the studio. On top of this powerful tone-shaping the DS-1X then applies its signature natural compression to giving the output a really polished professional sound every time. If youre looking for the next generation of distortion its pretty clear its the DS-1X.
Boss DS-1X Distortion Pedal
This is a New Boss DS-1X Distortion Pedal from Boss is in our Distortion Pedals category on Just Pedals. Read More below.
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Brand
Boss
BOSS began in Osaka in 1973 as MEG Electronics, a company dedicated to effects. Its first BOSS-branded effect was the CE-1 Chorus Ensemble in 1976; the OD-1, SP-1 and PH-1 launched the compact-effects series in 1977. The JustPedals catalogue includes familiar overdrives and distortions such as the OD-3, SD-1, BD-2, DS-1 and MT-2 Metal Zone, as well as utility items such as the PCS-20A cable. BOSS now spans compact pedals, multi-effects, loopers, tuners and controllers. Manufacturing origin should be checked by model rather than inferred from the brand’s Japanese history.
Category
Distortion Pedals
Distortion clips the waveform more firmly than overdrive, generating dense upper harmonics, longer sustain and a more compressed response. Circuit topology and filtering decide whether the sound is tight and focused, broad and aggressive, smooth or deliberately abrasive. Gain sets the amount of clipping, while pre- and post-distortion tone controls strongly influence low-end definition, midrange presence and high-frequency texture.
Tags
Analogue
The signal is shaped by continuously varying electronic circuitry rather than being converted into a digital effect algorithm. Component choice, operating voltage and circuit tolerances influence headroom, noise, clipping texture and the small variations in response between designs.
Bass
Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.
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