The Boss PS-6 Harmony Effects Pedal is the perfect tool for giving your sound extra depth and a beautifully rich texture offering four intelligent pitch effects for a versatile performance. Create everything from a classic octave pitch shift and detune to a beautiful three-voice harmony and an extreme 4 octave pitch bend. Each mode features an array of tonal adjustments ensuring players can dial in the perfect sound for any situation. The addition of an EXP input also allows players to externally control the pedals parameters with an expression pedal while the mono and stereo outputs provide a range of different setups. Offering Bosss iconic combination of superior sound quality ease of use and powerful pitch effects the Boss PS-6 Harmony Pedal is perfect for any pedalboard.
Boss PS-6 Harmony Effects Pedal
This is a New Boss PS-6 Harmony Effects Pedal from Boss its found in our Specialist Effects Pedals on the Just Pedals menu. Read More below.
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Brand
Boss
BOSS began in Osaka in 1973 as MEG Electronics, a company dedicated to effects. Its first BOSS-branded effect was the CE-1 Chorus Ensemble in 1976; the OD-1, SP-1 and PH-1 launched the compact-effects series in 1977. The JustPedals catalogue includes familiar overdrives and distortions such as the OD-3, SD-1, BD-2, DS-1 and MT-2 Metal Zone, as well as utility items such as the PCS-20A cable. BOSS now spans compact pedals, multi-effects, loopers, tuners and controllers. Manufacturing origin should be checked by model rather than inferred from the brand’s Japanese history.
Category
Specialist Effects Pedals
Specialist effects alter the signal in ways that do not sit cleanly inside one established family. They may use granular processing, frequency shifting, resonators, freeze or sustain, bit reduction, ring modulation, feedback networks or combinations of several techniques. The relevant distinction is the underlying process, its tracking or latency, and how completely the dry signal can be blended or replaced.
Tags
Stereo
Processes, creates or passes two audio channels. True stereo preserves separate left and right inputs, while mono-to-stereo effects generate spatial differences internally; routing, phase behaviour and whether trails remain stereo determine the resulting image. Some outputs sum to mono when only one socket is connected, which can change level or modulation depth.
Vocal
Designed for microphone-level signals and the frequency, dynamics and feedback behaviour of the human voice. Input gain, balanced connections, phantom power and pitch tracking may be provided so effects respond correctly before the signal reaches a mixer or PA.
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