Behringer BM-14M ANALOG DELAY BBD Delay Pedal

£99.00

This is a New Behringer BM-14M ANALOG DELAY BBD Delay Pedal from Behringer is in our Delay Pedals category on Just Pedals. Read More below.

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The Behringer BM-14M Analog Delay is designed for musicians and producers who want vintage-style delay tones with modern flexibility. Based on the Moog MF-104M Super Delay it uses a bucket-brigade device (BBD) circuit to deliver warm organic repeats with up to 1200 ms of delay time. The pedal includes drive mix and feedback controls for shaping your delay character alongside tap tempo and spillover for smooth onstage performance. With MIDI input expression pedal support and modular-style I/O it fits seamlessly into pedalboards synth rigs or studio workflows. Rugged housing and clear knob layout make it reliable and easy to control live. Please Note: Power supply not included with this product.

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Brand

Behringer

Behringer was founded in 1989 by musician and sound engineer Uli Behringer, who began building equipment because he could not afford the studio gear he needed. The company has since grown into a broad audio supplier, and its JustPedals listings cover guitar, bass and utility units rather than effects alone. Examples include the DR600 digital reverb, EQ700 graphic equalizer, UT300 tremolo, BDI21 bass preamp, acoustic preamp and TU300 tuner. This spread makes model-level detail useful: check the instrument, circuit type and intended signal-chain role instead of assuming every Behringer listing is a guitar effect.

Category

Delay Pedals

Delay records the incoming signal for a chosen interval and repeats it after the original note. Feedback returns repeats to the delay line, while tone, filtering, modulation and saturation determine whether echoes remain clear, darken progressively, wobble like tape or degrade like analogue bucket-brigade circuits. Delay time and rhythmic subdivisions govern the spacing and musical pattern of the repeats.

Tags

Analogue

The signal is shaped by continuously varying electronic circuitry rather than being converted into a digital effect algorithm. Component choice, operating voltage and circuit tolerances influence headroom, noise, clipping texture and the small variations in response between designs.

MIDI

Sends, receives or responds to Musical Instrument Digital Interface messages rather than carrying the instrument audio itself. Program changes recall presets, continuous controllers move parameters, and MIDI clock or transport messages synchronise timing between devices.

Tap Tempo

Measures repeated foot taps and converts their interval into an effect rate or delay time. Subdivisions translate that pulse into dotted, triplet or other rhythmic values, while averaging and range limits influence how quickly and accurately the tempo settles.