L.R. Baggs Venue DI Pre-Amp – New L.R. Baggs Preamp Acoustic Guitar Guitar Effect Pedal
£339.00
The Venue DI combines the features from three stompboxes into one acoustic preamp making it a comprehensive and useful tool for all performing acoustic musicians.
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The L.R. Baggs Venue DI Pre-Amp is in New condition and made by L.R. Baggs , it is a great Preamp Acoustic Guitar Guitar Effect Pedal- The Venue DI combines the features from three stompboxes into one acoustic preamp making it a comprehensive and useful tool for all performing acoustic musicians. . Available from Just Pedals for only £ 339 The Venue DI is the first all-discrete acoustic guitar pre-amp to unite a transformer-coupled DI output an EQ and footswitches for its volume boost and tuner. The full capabilities of the Venue DI become clearer as you start to play. The 5-band EQ has tunable low-mid and high-mid band capability and is specifically tuned for acoustic instruments. The Venues transformer-coupled DI output allows for maxiumum isolation. The footswitch for volume boost can be used to compliment your playing style whether to compensate for changes in style or to highlight a solo. Players can use the DI to pre-set the desired amount of boost. There is also a footswitch for the chromatic tuner which is easy to read and mutes all outputs when activated so your tuning will not detract from your performance. The phase inversion button on the Venue DI will provide you with your best sound and feedback control even whilst the Garrett Null anti-feedback notch filter provides effective feedback control by sweeping the primary feedback range of your acoustic guitar and cutting the frequency that can cause feedback or ringing.The adjustable gain dial is one of the most important features to achieving optimum sound quality and signal-to-noise ratio. The LED clip meter visually optimizes the gain setting so you can get the appropriate setting every time. For further information about the LR Baggs Venue DI Pre-Amp please download the product manual PDF file from the link below.Press Reviews “If you need a clean-sounding preamp with plenty of gain powerful EQ DI functionality and a built-in easy-to-read tuner the Venue has everything you could ask for all in a single sleek well-designed package… Between the features and the clean sound the Venue might well be the only thing you need between your guitar and the sound system.” Acoustic Guitar Magazine”The Venue D.I. allowed me to isolate and elevate the low-mids without saturating the hi-mids in cloying brightness and let me access a fullness of tone I never thought I could access from this guitar again.” Guitar Gearheads”If you frequently plug into PA systems this can be a tone-saving device that can give you the option to control your sound completely. The clean boost and feedback control are simply fantastic and combined with the EQ Gain and Volume controls this could become essential gear for acoustic players everywhere”. Premier Guitar Magazine Features/Specifications Power Supply: 9V Battery or DC Adaptor (Not included) Battery Life: Approx 40 hours Weight: Approx 1 kg Size: 7.625″ x 7.5″ x 1.5″ Input/Output Impedence: 10 megohms/600ohms Gain: -12dB to +26dB Volume Boost: 0dBto +9dB adjustable EQ Casing: Sturdy and Durable Retro look
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L.R. Baggs is a prominent manufacturer specializing in acoustic amplification solutions, particularly known for their acoustic guitar pickups and preamps. Established in the 1970s by Lloyd Baggs, the company has since become synonymous with high-quality, transparent sound reinforcement for acoustic instruments. L.R. Baggs’ pickups and preamps are designed to faithfully capture the natural tone of acoustic guitars, mandolins, violins, and other stringed instruments, ensuring clarity and warmth in both live and studio settings.
One of L.R. Baggs’ most popular products is the Anthem pickup system, which combines an under-saddle pickup with a microphone to achieve a balanced and natural sound. The Venue DI preamp is another standout offering, providing comprehensive tone shaping and feedback suppression capabilities for acoustic performers. With a focus on innovation and craftsmanship, L.R. Baggs continues to be a trusted choice for musicians seeking reliable and sonically superior amplification solutions for their acoustic instruments.
Acoustic Guitar
“Acoustic Guitar” isn’t a typical guitar effects pedal type like distortion, delay, or reverb. Instead, it refers to the natural sound produced by acoustic guitars, which don’t require additional effects to be heard.
However, there are effects pedals designed specifically for acoustic guitars that can enhance or modify their sound in various ways. Here are some common types of effect pedals used with acoustic guitars:
Acoustic Preamp/DI: These pedals are designed to enhance the tone of an acoustic guitar when plugged into a PA system or amplifier. They often include EQ controls to shape the sound and may offer features like feedback suppression and phase inversion to mitigate issues commonly encountered when amplifying acoustic instruments.
Acoustic Simulator: These pedals are intended to make electric guitars sound like acoustic guitars. They emulate the resonance, tone, and dynamics of an acoustic instrument, allowing electric guitarists to achieve a more natural sound without switching guitars.
Reverb: Reverb pedals add ambiance and depth to the sound of acoustic guitars by simulating the reverberations of different spaces, such as halls, rooms, or studios. This can create a more spacious and immersive sound, enhancing the overall presence of the acoustic guitar.
Delay: Delay pedals produce echo effects by repeating the guitar signal after a set amount of time. When used subtly, delay can add depth and dimension to acoustic guitar playing, creating a sense of space and movement in the sound.
Chorus: Chorus pedals modulate the guitar signal to create a shimmering, chorus-like effect. When applied to acoustic guitars, chorus can add richness and thickness to the sound, mimicking the lush harmonics of multiple instruments playing together.
Compressor: Compressor pedals regulate the dynamic range of the guitar signal, evening out the volume levels between soft and loud notes. For acoustic guitars, compressors can help maintain a consistent level of volume and sustain, enhancing the overall clarity and presence of the instrument.
These are just a few examples of effects pedals commonly used with acoustic guitars. While acoustic guitars are often appreciated for their natural, unprocessed sound, effects pedals can be used creatively to enhance their tone and expand their sonic possibilities in various musical contexts.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Preamp
A preamp, short for preamplifier, is an electronic device used to amplify weak signals from guitars, microphones, or other audio sources before they are sent to a power amplifier or recording device. Preamps serve several important functions in audio systems:
1. **Signal Boosting**: The primary function of a preamp is to increase the level of weak signals to line level, which is the standard level used in audio equipment. This boost ensures that the signal remains strong and clear throughout the audio chain, minimizing noise and distortion.
2. **Tone Shaping**: Many preamps feature tone controls such as EQ (equalization) knobs or switches, which allow users to adjust the frequency response of the signal. This can include boosting or cutting specific frequencies to tailor the tone to the desired sound.
3. **Impedance Matching**: Preamps often include input and output impedance controls to match the impedance of the source device (e.g., a guitar pickup) with the impedance of the connected equipment (e.g., an amplifier or mixer). Proper impedance matching ensures optimal signal transfer and prevents signal degradation.
4. **Coloration and Character**: Some preamps are designed to impart a specific sonic character or coloration to the signal, adding warmth, richness, or saturation. This can be achieved through the use of vacuum tubes, transformers, or other analog components known for their unique sonic characteristics.
5. **Gain Staging**: Preamps play a crucial role in gain staging, which involves managing the levels of audio signals at each stage of the signal chain to optimize signal-to-noise ratio and prevent distortion. By adjusting the gain or volume controls on the preamp, users can control the overall level of the signal before it reaches subsequent stages of processing or amplification.
6. **Phantom Power**: Many preamps provide phantom power, which is required to power condenser microphones and certain active DI (direct input) boxes. Phantom power is typically supplied at +48 volts and is transmitted through the microphone cable to power the microphone or DI box.
Preamps are commonly found in a variety of audio equipment, including guitar amplifiers, mixing consoles, recording interfaces, and standalone preamp units. They are essential for ensuring clean, clear, and balanced audio signals in both live sound reinforcement and studio recording applications. Additionally, dedicated guitar preamps are available as standalone units or built into amplifiers, offering guitarists additional control over their tone and signal chain.
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Voice blends your instrument’s custom Voiceprint with your pickup signal for enhanced accuracy Antifb applies your anti-feedback profile for effective feedback control. Short press for phase inversion Select scrolls through up to 99 instrument presets Mute footswitch for ¼" and XLR outs. Long press for bypass iPhone Version: iPhone 6 and later
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