The Electro Harmonix Rams Head Big Muff Pi presents a faithful recreation of the coveted 1973 Violet Rams Head distortion pedal. Except this time its revamped for the modern era. Delivering the vintage fuzz that made us fall in love with the original model the Rams Head offers a fierce cutting tone with plenty of articulation and definition. And you can trust that each note you play will ooze with irresistible sustain perfect for those rich melodic solos. But you can shape it any way you like. Thanks to a trio of precise tone controls players can sculpt their sound their way. So whether you need all-out chaotic distortion or a more subtle growl out of your playing – the Rams Head offers enough tonal capacity to satisfy any playing style. Whats more – the lightweight robust housing fits snug on your pedalboard with a highly-visible LED activation light making it tailored for darker stage environments. Relive the glory of the original Rams Head Big Muff.
Electro Harmonix Rams Head Big Muff Pi Distortion/Sustainer
This is a New Electro Harmonix Rams Head Big Muff Pi Distortion/Sustainer from Electro Harmonix, listed in Distortion Pedals on Just Pedals. Read More below.
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Brand
Electro Harmonix
Founded by Mike Matthews in New York City in 1968, Electro-Harmonix became known for inventive effects that brought new sounds within reach of guitarists. Its first product was the LPB-1 Linear Power Booster; the company’s long-running catalogue ranges from fuzz and overdrive to delay, modulation, octave and experimental processing. JustPedals listings include the Small Clone chorus, Small Stone phaser, Memory Boy delay, POG 2 octave generator and Micro Q-Tron envelope filter. Check the exact version and power requirements when comparing EHX models, since familiar names often span different generations and formats.
Category
Distortion Pedals
Distortion clips the waveform more firmly than overdrive, generating dense upper harmonics, longer sustain and a more compressed response. Circuit topology and filtering decide whether the sound is tight and focused, broad and aggressive, smooth or deliberately abrasive. Gain sets the amount of clipping, while pre- and post-distortion tone controls strongly influence low-end definition, midrange presence and high-frequency texture.
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