Add interest and excitement to your voice. The Electro Harmonix V256 Vocoder allows you to propel your sound into a new dimension. Set-up is as simple as connecting your instrument and microphone to the pedal and then outputting the signal to your amplifier or desk. The inclusion of 256 vocoding bands provides precise warping options. Whether you want to sound straight from the space age or simply emulate the vocal stylistics of the opposite sex. The V256 allows you to transform your voice into any sound you desire. Take advantage of the widely popular pitch correction to add consistency to your live performances. Compact but powerful. The V256 is designed to bring out the best in you!
Electro Harmonix V256 Vocoder
£249.00
This is the Electro Harmonix V256 Vocoder from Electro Harmonix, listed in Specialist Effects Pedals on Just Pedals. Read More below.
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Brand
Electro Harmonix
Founded by Mike Matthews in New York City in 1968, Electro-Harmonix became known for inventive effects that brought new sounds within reach of guitarists. Its first product was the LPB-1 Linear Power Booster; the company’s long-running catalogue ranges from fuzz and overdrive to delay, modulation, octave and experimental processing. JustPedals listings include the Small Clone chorus, Small Stone phaser, Memory Boy delay, POG 2 octave generator and Micro Q-Tron envelope filter. Check the exact version and power requirements when comparing EHX models, since familiar names often span different generations and formats.
Category
Specialist Effects Pedals
Specialist effects alter the signal in ways that do not sit cleanly inside one established family. They may use granular processing, frequency shifting, resonators, freeze or sustain, bit reduction, ring modulation, feedback networks or combinations of several techniques. The relevant distinction is the underlying process, its tracking or latency, and how completely the dry signal can be blended or replaced.
Tags
Vocal
Designed for microphone-level signals and the frequency, dynamics and feedback behaviour of the human voice. Input gain, balanced connections, phantom power and pitch tracking may be provided so effects respond correctly before the signal reaches a mixer or PA.
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