The Electro Harmonix Cock Fight Plus Wah Pedal is a vocal-sounding wah pedal and fuzz effect in one easy-to-use unit. It takes the award-winning EHX Cock Fight pedal (cocked talking-wah with fuzz) as its base and houses it in a rugged chassis with added expression pedal to give you full foot-control over the wah functionality. The wah can offer you a traditional wah filter (“Cry”) or can be set to a formant filter (“Talk”) to give your setup a versatile blend of tones. The Fuzz section can either be set up as a pre/post effect to let you hone your unique tones or it can be bypassed altogether. The Cock Fight Plus Wah is capable of going from mild wah tones right through to the most unique vocal and raucous fuzz-wah sound you can imagine. Whether youre looking for traditional wah and fuzz sounds or youre looking to push the boundaries of guitar tones this could be the pedal for you.
Electro Harmonix Cock Fight Plus Talking Wah & Fuzz
This is a New Electro Harmonix Cock Fight Plus Talking Wah & Fuzz from Electro Harmonix is in our Wah & Filter Pedals category on Just Pedals. Read More below.
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Brand
Electro Harmonix
Founded by Mike Matthews in New York City in 1968, Electro-Harmonix became known for inventive effects that brought new sounds within reach of guitarists. Its first product was the LPB-1 Linear Power Booster; the company’s long-running catalogue ranges from fuzz and overdrive to delay, modulation, octave and experimental processing. JustPedals listings include the Small Clone chorus, Small Stone phaser, Memory Boy delay, POG 2 octave generator and Micro Q-Tron envelope filter. Check the exact version and power requirements when comparing EHX models, since familiar names often span different generations and formats.
Category
Wah & Filter Pedals
Wah effects sweep a resonant band-pass or related filter through the frequency spectrum, creating the vowel-like movement associated with the treadle. Envelope filters move automatically in response to picking level, while fixed and sequenced filters use other control sources. Sweep range, resonance, direction, sensitivity and input loading determine whether the response is vocal, percussive, smooth or sharply synthetic.
Tags
Fuzz
Pushes the signal into extreme clipping, often approaching a square wave and producing dense harmonics. Transistor type, bias, input loading and filtering govern whether the texture is smooth, woolly, gated, spluttering, octave-rich or highly responsive to the instrument volume.
Vocal
Designed for microphone-level signals and the frequency, dynamics and feedback behaviour of the human voice. Input gain, balanced connections, phantom power and pitch tracking may be provided so effects respond correctly before the signal reaches a mixer or PA.
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